When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for over 10 years.
Callum Keith Rennie
While watching a car race at McKinley Speedway, Nick O'Bannon has a premonition of a car crash that will result in many casualties, including several people that are in the audience. Nick convinces his girlfriend Lori, along with his friends Hunt and Janet to leave. A security guard named George Lanter, along with a racist named Carter, a mother and her two sons, and several other people follow Nick out. Shortly after they leave, Nick's premonition comes true. When survivors start dying, Nick, his friends, and George must try to find the remaining survivors and save them from Death before it is too late.Written by
The "Final Destination" series began when Flight 180 crashed in Final Destination (2000). At the race track, the victims are seated in section 180 (as shown on a sign behind them) and later, while viewing video camera footage, the video camera footage briefly shows the number on the screen indicating which seating section the camera records. A bus that is seen passing the café is clearly marked on the roof as number 180. See more »
(at around 31 mins) When Hunt and Janet pay a visit to Nick and Lori to discuss about the possibility to exist a chain of deaths or a specific order, Janet leaves and Hunt follows her. Immediately after he gets up the couch, his shirt allows some belt to be visible in his back. He turns around to say something, and when he leaves, his shirt is actually OK. See more »
That's the car that's gonna crash. We have to get out of here.
Thank God, I don't...
What? No, no, I've got 500 dollars in that one, and I told you that...
No one cares about the money we have...
No, look! We've got to get the fuck out of here! Okay? Something's gonna happen, we are all gonna die! All right? 'Cause there's gonna be a crash!
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Opening credits run over a "greatest hits" of the kills in earlier installments, presented as 3D CGI X-rays. See more »
Available in 2D and 3D on both DVD and Blu-ray. See more »
You can just imagine the suits sitting around their big round table discussing how to churn out another financially beneficial Final Destination movie and get away with it. Big suit number one puts forward that they obviously need more inventive mouse trap like deaths. Big suit number two has the genius notion that 3D is again taking off so why not utilise that option too. And that's pretty much all that it took, with the end result being a movie that is very self aware of its roots, but still plays out as the runt of the Final Destination litter.
Just as the director of the first one, James Wong, was brought back to direct part 3, the makers here bring back the director of part 2, David R. Ellis, to direct part 4! Which ultimately proves to be nothing more than some sort of nepotism like factor because The Final Destination is basically just over 82 minutes of poor acting, bad writing and a series of kills weaved together by the odd 5 minutes of barely relevant characterisations (the exposition as painful as the gory deaths!).
The kills entertain as they pretty much always have throughout the franchise, with the opening disaster sequences (here set at a speedway stadium) continuing one of the series' great traditions. While the opening and closing X-Ray/Skeletal credit sequences are superb and a credit to those involved. Yet it all feels so tired, where in spite of the willingness to upgrade the technology, it's still lazy and has nothing to really justify its very being other than that to make easy money.
The makers of part 5 would have to come up with something special to not turn this franchise from being one that was once bright and inventive, into that of a money train joke. 4/10
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