Critic Reviews



Based on 23 critic reviews provided by Metacritic.com
The problem is that just as we’re getting to know these characters as people, the movie pulls a veil over them: It loses its nerve and mutates into an only mildly compelling crime drama, albeit one whose protagonist is maybe more tortured than usual.
Eisenberg lets us see Sam's growing distress, and also the fortitude with which he faces down his fears -- few young actors are as adept at simultaneously conveying panic and bravado.
Boxoffice Magazine
Holy Rollers is mostly a marker being put down by some talents to watch, especially Eisenberg, who is greater than fans of "Zombieland" could have imagined.
Holy Rollers fuses a somber, old-world palette with a jittery urban unease--a good mix of tones. It’s also wonderfully acted.
It’s gratifying to see Eisenberg move past nerdy-cutie parts; his slim shoulders, it seems, are capable of handling more than Michael Cera’s leftovers.
Holy Rollers squanders a fascinating premise with predictable execution.
Asch's first feature is intelligent, respectable yet curiously muted in tone and impact, never fully catching the viewer up in either its crime saga or its account of individual rebellion within an insular religious community.
Village Voice
Failing to generate either excitement as a crime story or credibility as a morality play, the film ultimately confirms the traditional values that helped push its confused lead to the brink of damnation in the first place.
Young Mr. Eisenberg and a fine cast give Holy Rollers the ballast it otherwise lacks, but we've been down this road so often that there are times when I could only wonder why I was watching it at all.
Director Kevin Asch takes protagonist Jesse Eisenberg on a dour, depressingly straightforward trip from naïveté to spiritual exhaustion.

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