When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only ... See full summary »
Taraji P. Henson,
Madea returns in another comedy in which she gets sent to "the big house". Regardless of the circumstances, she gives her trademark advice and wisdom to her friends and family as they learn... See full summary »
Cheryl Pepsii Riley,
Madea winds up in the middle of mayhem when she spends a haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls and zombies while keeping a watchful eye on a group of misbehaving teens.
The "Dropping the Car" scene was done in one take because they didn't have a second car. The car didn't even work. See more »
When Madea is entering her car after flipping the red convertible, you see a mark on the pavement left from a burnout, but the next shot is when she does the burnout to leave the mark on the pavement. See more »
[car behind her is honking]
I don't know what you blowing at me for but keep blowing.
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I found this movie to be lacking severely in plot structure and and in character development. There are many times when the director's attempts to be funny overshadow any chance there may be for character growth. A lot of the acting was wooden and there were many clichés thrown in there that the director was hoping no one would catch onto. The ending was especially horrendous as it appears the director could not come up with anything else so just made something up.
There were two highlights: Viola Davis' role in the film and when the lights came on in the theater and we were allowed to leave. Other than that I wouldn't want to see it again.
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