Mathias, aboard a ship with his wife, sees a boy with a striking resemblance to himself and is called - Mathias. He then tracks him to a town north of France to discover that the boys ... See full summary »
Danger of losing his business, Anthony Roca, an ordinary man, develops a scam that will become the heist of the century. Overtaken by the crime, he will have to deal with betrayal, murder and settling.
Transport Minister Bertrand Saint-Jean is awoken in the middle of the night by his head of staff. A bus has gone off the road into a gully. He has no choice but to go to the scene of the ... See full summary »
After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge ... See full summary »
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and ... See full summary »
Romain, 23, is the watchman of a small Paris hotel. He does not know it yet but he is about to become a novelist... Madeleine is six decades older than him. She is his grandmother. ... See full summary »
A young man paying the rent for himself and his lifelong friends at an apartment, ends up flat-broke and resorts to selling marijuana to pay the bills - only to get caught up in the dangerous world of drugs.
Albert Spaggiari, the infamous man responsible for one of the biggest bank heists of the last century, is at the center of this story. Although the actual robbery is seen briefly, it made the man famous for stealing from an institution not likely to have been robbed.
We come to the story as Vincent Goumard, a free lance journalist makes contact with Spaggiari's men under the pretext of an interview with the notorious bandit, now living in a South American country, not unlike Brazil, but not identified by name. Unknown to Spaggiari, or his associates, Goumard was acting with the police and the idea was to kidnap him and return him to France for justice.
The problem with the film, directed by Jean-Paul Rouve, is that it never makes up its mind whether to be a comedy, or a thriller. Mr. Rouve makes the mistake of other actors in trying to act and direct. Perhaps a better film would have resulted with another man in charge. As an actor, Mr. Rouve does not convince. When all is set and done, nothing new comes out about the caper.
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