A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Set in the Stockholm suburb of Blackeberg in 1982.Written by
John Nordling, Producer
Voted movie of the year by Empire magazine (the first time a foreign language film topped their list since City of God (2002) in 2003). See more »
(at around 16 mins) As Oskar is looking in his clip book with old newspaper articles, a serial number used by the Swedish police is visible. That number ends with 95, which means that crime was committed in 1995. The movie, however, is set in 1982. See more »
This film is the best vampire film in my life during 25 years in cinema world.
I saw it in Bangkok International Film Festival 2008 and love this movie very much.
It has something big and stunning about this lovely storyline to rivet my attention from the beginning to the end. Moreover, the cinematography and atmosphere in this film are undeniably superb. The chemistry between two preteen protagonists is outstanding and very believable. Everything in this film is well-made in synchronization.
This is the first film related to a vampire that I think is least connected to Vampire's teeth baring at audience all the times, like other familiar horror we used to see. Other than some gory scenes in this film, we can yet see some flesh and blood moment of humane Vampire. And that is truly written to the core plot.
The last scene at swimming pool is totally mesmerizing and mind-blowing.
By the way, if Sweden submits this movie to be in competition with other nominees around the world for Oscar foreign-language film category this year, this masterpiece should win or at least be short-listed for the final fives.
10 out of 10
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