Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.
Johan Charles
- Andreas
- (as Johan Sömnes)
Malin Cederblad
- Sjukhusreceptionist
- (as Malin Cederbladh)
- John Ajvide Lindqvist(screenplay) (novel)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSeveral tricks were used to create the right sound effects for some of the gorier scenes. Biting into sausages was used to replicate biting into skin and flesh, and drinking yogurt was used to sound like drinking blood. The sound of the children blinking was made by the skin of grapes rubbing together in an almost "blinking" motion.
- Goofs(at around 16 mins) As Oskar is looking in his clip book with old newspaper articles, a serial number used by the Swedish police is visible. That number ends with 95, which means that crime was committed in 1995. The movie, however, is set in 1982.
- Quotes
Oskar: Eli... Can you and I be together?
Eli: What do you mean?
Oskar: Well... Will you be my girlfriend?
Eli: Oskar... I'm not a girl.
Oskar: You're not?
[pause]
Oskar: Can we be together?
Eli: Can't we just be how we are?
Oskar: I guess...
Eli: Do you do something special if you're "together"?
Oskar: No.
Eli: We stay just as we were?
Oskar: Yes.
Eli: Then I agree...
Oskar: What?
Eli: We can be "together".
Oskar: Really?
Eli: [Whispers] Yes.
Oskar: Good.
- ConnectionsFeatured in Deconstruyendo 'Déjame entrar' (2009)
Review
Featured review
Brilliantly original work of art, both horrifying and tender
"Let the Right One In" is, at its heart, a sweet coming-of-age story which is so unique and different that it simply defies categorization. In this Swedish film, adapted from John Ajvide Lindqvist's bestselling book, director Tomas Alfredson dares to mix pleasure and pain in a way that is both horrifying and tender.
"Let the Right One In" has a storyline which, although it reveals some secrets early on, is best left as a surprise. So this will necessarily be one of those rare reviews in which the less said about the plot the better. 12-year-olds Oskar (Kare Hedebrant) and Eli (Lina Leandersson) meet one snowy afternoon at a jungle gym in the courtyard of Oskar's housing complex outside Stockholm. Their young, tender attraction for each other is apparent right from the start and we think we know where their relationship is headed. But there is a deep dark secret to be discovered here and when it's revealed the audience is both repulsed and curiously fascinated at the same time, in a similar fashion as when yellow crime scene tape brings us closer rather than warning us away.
The supporting cast is completely beholden to the narrative as it revolves around the adorable young couple, whose performances rival the best I've ever seen for actors of that age. The innocence and vulnerability of Hedebrant's Oskar is simply a tour-de-force and he admirably carries the film on his little shoulders. Leandersson matches him scene by scene, line by line, and the result literally gave me chills.
Production values are stellar, with all technical aspects -- lighting, original music by Johan Soderqvist, and Hoyte Van Hoytema's cinematography -- combining in perfect synchronization to produce a Hitchockian tale that somehow brings love and light into what could have been the darkest drama imaginable.
"Let the Right One In" was the overwhelming choice for Best Narrative Feature after its North American Premiere here at the 2008 Tribeca Film Festival. It is a truly well-deserved honor. Tomas Alfredson has crafted a brilliant work of art that left me shaking my head with wonder.
"Let the Right One In" has a storyline which, although it reveals some secrets early on, is best left as a surprise. So this will necessarily be one of those rare reviews in which the less said about the plot the better. 12-year-olds Oskar (Kare Hedebrant) and Eli (Lina Leandersson) meet one snowy afternoon at a jungle gym in the courtyard of Oskar's housing complex outside Stockholm. Their young, tender attraction for each other is apparent right from the start and we think we know where their relationship is headed. But there is a deep dark secret to be discovered here and when it's revealed the audience is both repulsed and curiously fascinated at the same time, in a similar fashion as when yellow crime scene tape brings us closer rather than warning us away.
The supporting cast is completely beholden to the narrative as it revolves around the adorable young couple, whose performances rival the best I've ever seen for actors of that age. The innocence and vulnerability of Hedebrant's Oskar is simply a tour-de-force and he admirably carries the film on his little shoulders. Leandersson matches him scene by scene, line by line, and the result literally gave me chills.
Production values are stellar, with all technical aspects -- lighting, original music by Johan Soderqvist, and Hoyte Van Hoytema's cinematography -- combining in perfect synchronization to produce a Hitchockian tale that somehow brings love and light into what could have been the darkest drama imaginable.
"Let the Right One In" was the overwhelming choice for Best Narrative Feature after its North American Premiere here at the 2008 Tribeca Film Festival. It is a truly well-deserved honor. Tomas Alfredson has crafted a brilliant work of art that left me shaking my head with wonder.
helpful•590103
- larry-411
- May 13, 2008
Details
Box office
- 1 hour 54 minutes
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