An unremarkable ghost-writer has landed a lucrative contract to redact the memoirs of Adam Lang, the former UK Prime Minister. After dominating British politics for years, Lang is campaigning for his foundation with his wife in the USA. He lives on an island, in luxurious, isolated premises complete with a security detail and a secretarial staff. Soon, Adam Lang gets embroiled in a major scandal with international ramifications that reveals how far he was ready to go in order to nurture UK's "special relationship" with the USA. But before this controversy has started, before even he has closed the deal with the publisher, the ghost-writer gets unmistakable signs that the turgid draft he is tasked to put into shape inexplicably constitutes highly sensitive material.Written by
Eduardo Casais <firstname.lastname@example.org>
The end title designer forgot to use punctuation when writing the end credits. This resulted in all assistants being listed as "ass designer" or "ass painter" etc. See more »
The black car chasing The Ghost through the woods changes models. Early in the chase, the car is a Chrysler LHS, circa 2002. When it boards the ferry, it is a Chrysler 300, circa 2009. (It's possible that two sets of bad guys are following the Ghost, but that possibility is not highlighted.) See more »
You realize I know nothing about politics.
You voted for him, didn't you?
Adam Lang? Of course I did, everyone voted for him. He wasn't a politician, he was a craze.
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The credits are written as black-on-white with a typewriter font, like the manuscript shown throughout the movie. See more »
The version released on Blu-ray in Norway has some curse words dubbed over. At the motel reception you can clearly see McGregor mouthing something else than "shit". See more »
Allegro Assai from Beethoven's Symphony No. 3
Written by Ludwig van Beethoven
Performed by Symphony Nova Scotia
Conducted by Georg Tintner
Courtesy of Naxos of America, Inc. See more »
Polanski and McGregor, a wonderful match
Ewan McGregor gets rid of every ounce of glamour and allows his Polanskian character to emerge. I though, a few years ago, Polanski could have played him himself the way he played so beautifully in "The Tenant" Those two characters are not that far apart. Taking over an apartment or a job from someone who leaves the scene under very mysterious circumstances is practically the same thing. McGregor, however, is superb. In "The Ghost Writer" events play close to the knuckle. Who is Pierce Brosnan? Tony Blair? and Olivia Williams? Classic film-making at its best. Compelling and visually stunning. The score by Alexander Desplat reminded me of Bernard Herrman and the atmosphere is so thick that the film's 2 hours plus fly by at an amazing speed. Polanski at 77 doesn't show any signs of jadedness. He is in total control. Hurrah for that!
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