The czar of Russia has died and a power vacuum has developed. This period in the late 16th and early 17th century has been called "The Time of Troubles." There are many impostors who claim ...
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In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last ... See full summary »
The film is based on the second book from the Adventures of Erast Petrovich Fandorin series of novels written by the Russian author Boris Akunin. The film takes place in 1877 during the ... See full summary »
In the summer of 1683, 300,000 warriors of the Ottoman Empire began the siege of Vienna. The fall of the city would have opened the way to conquer Europe. On September 11. was the main battle between the Polish cavalry and the Turks.
F. Murray Abraham,
Enrico Lo Verso,
Third film based on Boris Akunin's "Priklucheniya Erasta Petrovicha Fandorina" series of novels. On a train from St. Petersburg to Moscow general Khrapov was killed and no one else but ... See full summary »
The czar of Russia has died and a power vacuum has developed. This period in the late 16th and early 17th century has been called "The Time of Troubles." There are many impostors who claim to the right to rule, but there's only one heir, the Czarina Kseniya Godunova. She has married a Polish military leader who wants to claim the Russian throne in her name so he can rule all of Russia. As the Poles move in on Moscow in an attempt to install the czarina on the throne, Andrei, a serf with a life-long infatuation of the czarina attempts to save her from her brutal Polish husband. A complicated story wrapped around mysticism and legend climaxes in a bloody battle between the Poles and the Russians for control of the empire.Written by
During the bombardment of the town, the cannonballs leave smoke trails and can be seen in mid-flight. A cannonball, once fired, does not leave a smoke trail, nor is it visible to the naked eye. See more »
1612: KHRONIKI SMUTNOGO VREMENI is a strange Russian epic seemingly composed of pasted together bits of history, myth, and fiction by writer Arif Aliyev and directed with a complete lack of continuity by Vladimir Khotinenko. Why these production choices were made in what is apparently supposed to be a critical turn of events in the history of Russia is unclear, but the reason for making the film seems to be to out-Hollywood Hollywood without the benefit of CGI that serve as Hollywood's main 'character' in epics of this sort.
Apparently from the title we are to accept this tale as a recreation of the death of Boris Fyodorovich Godunov (1551 - 1605) - de facto regent of Russia from 1584 to 1598 and then the first non-Rurikid tsar from 1598 to 1605. The end of his reign and the murder of his son saw Russia descend into the Time of Troubles. There was a witness to these murders, one Andrei (Pytor Kislov) who fell into serfdom and then into being a mercenary with his friend Kostka (Artur Smolyaninov) for the Polish hetman (Michal Zebrowsski). Apparently one Godonov remained, the Tsarina Kseniya (Violetta Davydovskaya) and was loved by both the Polish hetman and by Andrei. The entire film is an extended battle between the Polish and the Russians for the control of Moscow and the dream of the Polish hetman to marry Kseniya and ascend the throne as the new Tsar. The referenced year 1612 is the year of the Battle for Moscow when the Poles were successfully defeated making way for the rise of the Romanovs as the royal family of Russia.
Somewhere well hidden in this collage of decapitations and other examples of battlefield mayhem are the identities of the characters who populate this story, but the tale is so chopped up by amazingly bad editing (to the point that the film feels like there are large gaps missing as the screen simply goes dark frequently), by flights of fantasy that focus on a unicorn, moments when the past is recalled through the use of pixels of supposedly previously viewed material, and just plain lapses in plot details that the movie appears like a richly colorful blood bath with some unintentional (?) comedic moments. The machinations of the battle between the winged Poles and the oh-so-inventive Russians fighting against all odds border on absurd. But then perhaps that is the point of the film: war is madness and kingdoms are built by serendipity. It is a long song and tedious, but if you know the realities of Russian history it may be a very entertaining movie!
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