The Narrow Road to the Deep North

Had high expectations, but was very disappointed. The misty, murky photography made it hard to watch and I gave up. The lead actor mumbles his way through the episodes and Ciarin Hind's Aussie accent is even worse, and he too mumbles. The producer should have hired someone who knew how Aussies spoke in 1941, because they certainly did not call a dinner jacket , a tuxedo, nor say hi in a formal setting. I know the series is based on a book, which I have not read, but the movie, Bridge on the River Kwai was better and if you want to know about the hardships suffered by Aussies in Japanese POW camps, read about Sir Weary Dunlop.

One of the best and the hardest show I have ever watched. I sat watching this with my father next to me telling me of the stories his father would tell him of working the Thai-Burma railway in those very conditions. I watch as he had tears telling me this was like a visualization of those very stories. The story was well written and the characters were all play so well. The cinematography was brilliant despite what other reviewers say, you felt as though you were there in that jungle and the soundtrack was haunting and will stick with you. It left me very shaken but was well worth the watch, would highly recommend but be warned it is very full on and doesn't shy away from brutality.

You can rarely see a good series or movie from the australian perspective. It's a short series but keeps you engaged at almost every scene. The brutality of the japanese or the POW struggling for survival really comes through the screen on an emotional level.

I would say it's a unique World War 2 series, can't put it in a category. It's not really about the war but how we humans sometimes lack the humanity, emphaty or the communication so we could understand each other. When we can't communicate or express ourselves then we just move on instead repairing the thing that brings us the most joy or even who brings us the most love.

A must watch for anyone who enjoys war series with less action and more emphasis on the emotional and personal struggles for both the character and You, the viewer.

In response of some critics about... The cinematography is one of the best I've ever seen. Mist, darkness, murkiness... it feels like material heaviness... rain, mud, humidity... It's so rare to 'feel' the visual in contemporay cinema... It is the meaing of the supersensible, synaesthetic overtones that Ejzenstejn spoke of, perfectly reproduced with digital tools. As for the plot: the first two episodes are absolutely solid and convincing. Kurzel proves to be one of the most prepared directors, in the name of a certain incandescent naturalism that borders on material evocation, as already underlined. TV at its best.

One of the hardest things I watched yet one of the best things I watched.

Do yourself a favour and press play. Photography is just alluring, poetic and yet so descriptive that you just can't look away. Storytelling is compelling and keeps you constantly engaged, its tragedy and mourning, and romance, and longing and suffering and friendship and companionship. All together, all at once.

Despite being a short series, you get to know every character in such a way that it becomes personal, you suffer with them, you laugh with them and you miss them when they are gone.

It's a shot straight to the heart but oh such a lovely one.