Call of the Unseen

On a technical and business level this is of course endlessly inspiring. A Swedish director doing a mostly self-financed feature outside of the system. But as someone who watches a lot of films on this budget level, especially Swedish, I know that having "they never do real genre films in Sweden, only pretentious dramas" as a creative driving force isn't a guarantee for a good film. Often the result is something "good enough". A film that comes technically close to a high-budget studio version of itself, but not more than that. Mostly I am split to films like this. As a low budget filmmaker myself, I appreciate the effort highly, but I am unable to see it as something more than a pure technical feat.

But what Pilerud has managed to do with "Call of the unseen" is something that feels truly personal. A story he really wants to tell, not an opportunistic attempt to show that "we can do fantasy in Sweden too". There is a calm and confidence in the filmmaking here that I honestly didn't expect. It's inspiring to see modern fantasy obviously inspired by Tove Jansson rather than Tolkien. With the same mix of fantastic elements and human questions as in the Moomin books. There are suspense here but no real traditional action. Something that gives this the unique feeling of a kids film for adults. With the adult tone lying in the themes rather than in any featured violence. The philosophical conversation between Mya and the stone creature is the high point for me. Despite the limited budget I can't sense any artistic or technical compromise in "Call of the unseen". The mix of 3D models, physical creature effects, compositing and locations footage is seamless. Pilerud really manages to create another world.