Death Wish (2018)

Dr. Paul Kersey is an experienced trauma surgeon, a man who has spent his life saving lives. After an attack on his family, Paul embarks on his own mission for justice.

Director:

Eli Roth

Writers:

Joe Carnahan (screenplay by), Brian Garfield (from the novel by)

Stars:

Bruce Willis, Vincent D'Onofrio, Elisabeth Shue

4 nominations.

Cast

Cast overview, first billed only:
Bruce Willis	...	Paul Kersey
Vincent D'Onofrio	...	Frank Kersey
Elisabeth Shue	...	Lucy Kersey
Camila Morrone	...	Jordan Kersey
Dean Norris	...	Detective Kevin Raines
Beau Knapp	...	Knox
Kimberly Elise	...	Detective Leonore Jackson
Len Cariou	...	Ben
Jack Kesy	...	The Fish
Ronnie Gene Blevins	...	Joe
Kirby Bliss Blanton	...	Bethany
Andreas Apergis	...	Belligerent Dad
Ian Matthews	...	Ponytail
Wendy Crewson	...	Dr. Jill Klavens
Warona Setshwaelo	...	Nurse Carla

Storyline

Dr. Paul Kersey (Bruce Willis) is a surgeon who only sees the aftermath of his city's violence as it's rushed into his ER -until his wife (Elisabeth Shue) and college-age daughter (Camila Morrone) are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts for his family's assailants to deliver justice. As the anonymous slayings of criminals grabs the media's attention, the city wonders if this deadly avenger is a guardian angel...or a grim reaper. Fury and fate collide in the intense action-thriller Death Wish.

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Plot Keywords:

miniskirt with heels | micro mini skirt | tattooed trash | hiked skirt | hottie | 

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Taglines:

How Far Would You Go To Protect Your Family?

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Genres:

Action | Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for strong bloody violence, and language throughout

Details

Official Sites:

Official Site Official Site [Japan]

Country:

USA

Language:

English Spanish

Release Date:

2 March 2018 (USA)

Also Known As:

Death Wish

Filming Locations:

Chicago, Illinois, USA

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$13,010,267, 4 March 2018, Wide Release

Gross USA:

$34,017,028

Company Credits

Production Co:

Cave 76, Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

107 min 97 min (Mainland China Censored Version)

Sound Mix:

Dolby Surround 7.1

Color:

Color

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

Although not credited, Dean Georgaris re-wrote the screenplay from page one with director Eli Roth. There were nine writers on the screenplay by the final shooting draft, and the Writer's Guild ultimately decided to give Joe Carnahan sole credit despite the fact almost none of his dialogue remained in the final version of the film.

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Goofs

Kersey appears to be using Propofol as a local anesthetic, and refers to it "wearing off". Besides the obvious question of why issue pain relief to someone you are going to torture, propofol renders the patient unconscious for a medical procedure and "wearing off" means the patient is regaining consciousness. They got the color, but not the pharmacological effects, correct.

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Quotes

Paul Kersey: So there's nothing that I can do. Is that what you're saying?
Detective Kevin Raines: You can have faith.
[Paul looks at the bulletin board of unsolved murder cases]
Paul Kersey: How did faith work out for those people?

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Crazy Credits

The film's copyright date in the credits is 2017 rather than 2018.

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Alternate Versions

The US version removes some dialogue about F-1 firearms in the gun shop scene. It also removes a line in the conclusion, saying Chicago's crime rate has dropped for the first time in a year. These are present in non-US releases.

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Connections

References True Lies (1994)

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Soundtracks

Don't Worry Baby
Written by Brian Wilson and Roger Christian
Performed by The Beach Boys
Courtesy of Capitol Records
Under license from Universal Music Enterprises

User Reviews

As generic as it gets

Carrying the same title as the classic 1974 vigilante flick starring Charles Bronson, Eli Roth's latest installment is set in modern-day Chicago, a city plagued with gang violence. Paul Kersey (Bruce Willis), a pacific, non-violent surgeon and family man, sees his life turn upside down when his wife (Elizabeth Shue) and daughter are brutally attacked by a bunch of serial home invading thugs. Feeling frustrated as he witnesses the helplessness of the local police department, who also happens to be flooded with similar cases, Kersey decides to take matters into his own hands, and begins hunting criminals through the streets of Chicago, helping a few people in need on the way, but ultimately tracking (and taking) down the men responsible for the violence inflicted to his family.

I think it's safe to say that, when it comes to vigilante flicks, it's only fair to expect a pretty typical storyline along those lines. What usually makes the difference is how the main character evolves throughout, how nasty the main villain is, how colourful the set of secondary characters is, and how creative the kills get. Unfortunately, Eli Roth's Death Wish does not pack enough surprises anywhere to make the film memorable in any way.

Having for protagonist a surgeon working in an emergency room is actually the best idea within this average-at-best script. It brings perhaps the most interesting moments in the entire film. Besides that, Kersey's psychological evolution throughout is beyond clichéd, both in terms of writing and delivery, as it's delivered mostly through a classic montage of shooting range practice, glimpses of appointments with a therapist, radio hosts debating whether Kersey is a hero or a criminal, and sequences of street shootings. Then it's all rinse and repeat. While Bruce Willis manages to build a likeable character in the first few scenes, this editing pattern quickly takes over and carries the audience from one killing sequence to the next, thereby earmarking character development as a secondary distraction.

Support characters are a complete shame, as they are generic and lack any depth whatsoever, despite being played by a great cast of actors (Elizabeth Shue, Dean Norris and Vincent D'Onofrio). You barely ever get to know any of the villains, which lack any personality whatsoever and always briefly appear on screen before getting brutally killed. Extremely basic characters.

Some of the kills are pretty graphic, but it's nothing we have not seen before. Considering how the entire film appears to gravitate around this particular aspect, it's a bit of a shame that they could not even come up with something original or striking, gritty violence.

Eli Roth's direction is pretty average. The intro sequence was fun to watch, as it was reminiscent of B series action flicks from the 70s, but as the film went on, montage after montage, the story and action unfold in quite a bland manner, without ever generating much excitement.

There is also a somewhat tangible attempt at bringing up the classic ambiguous questions stemming from individuals making their own justice, which ends up being yet another secondary, shallow distraction that never amounts to anything.

With all that being said, I sat through the whole film wondering what would happen next, which I suppose indicates that Death Wish still packs some entertainment value and is somewhat compelling. However, my appreciation for this type of story might have been what got me to the end credits. There are two or three one liners that managed to put a smile on my face, and few wince-inducing moments that'll help anyone interested in this type of film cruise to the end credits. Just don't expect to be surprised in any way.

There are many other films with the exact same storyline that are much worthier watches.