A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
After being mistaken for terrorists and thrown into Guantánamo Bay, stoners Harold and Kumar escape and return to the U.S., where they proceed to flee across the country with federal agents in hot pursuit.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Ian is a high school senior in suburban Chicago, plagued by being a virgin. Online he's inflated his resume, met Ms. Tasty, and agreed to drive to Knoxville where she promises sex. He steals his homophobic, macho brother's GTO, and, with his two best friends, Lance and Felicia, heads south. Every young woman who meets Lance, including Felicia, is attracted to him, as he practices his aptly learned "Pick-Up Artist" skills. Ian, on the other hand, is a decent guy who wouldn't mind if his friendship with Felicia became a romance. By the time they get to Knoxville, they have encountered a jealous boyfriend, a menacing hitchhiker, jail birds, carjackers, an Amish community, and Ian's better judgment.Written by
There is a surprising amount of special effects work in the film, necessitated by the fact that it was shot in Florida. Most of these special effects involved the removal of palm trees in the backgrounds. See more »
In the scene when the trio is at Brandy's home and Rick is coming for Brandy, he's stopped by Felicia just in front of the bedroom door. Then when Ian moves Felicia away from the door he takes a picture with him and it falls to the ground. But later, when Lance is stuck to the front door with a part of the bed and Rick is trying to grab his face, you can clearly see that the picture is up on the wall again without anyone touching it. See more »
After the credits, there is another scene of Brandy's Dad (Josh Duarte) who is being jokingly informed from off-screen that the prosthetic privates are on a table, indicating that he (Josh Duarte) is supposedly inadvertently exposing himself to the camera See more »
In the unrated version, there is an intro to the movie by the director and some of the cast explaining the difference between their unrated version and other studios unrated versions. This version incorporates extra added scenes, especially full frontal nudity and some dialog changes - often with the film crew breaking the fourth wall. See more »
So there was a screening of Sex Drive at the theatre, so I thought "what the hell?"
From the preview, I thought it could have gone one of three ways: 1. A horrible attempt at an R-rated comedy in the same fashion of a pretty good comedy a decade ago. (Like College tried for American Pie, and failed) 2. A mediocre R-rated comedy with bits here and there. 3. A movie that knows what it's going for and hits its mark.
I would have to say, this movie is very close to #3. The movie isn't a great movie, but it has no delusions on what it is. With the plot of a guy driving cross state just to get some ass, there's not a lot of directions you can go with it. The makers know this, so they make the best of it.
No real need to stress much on the story. It's simple, basic, predictable. Bad? I wouldn't say that. The story is really more of a momentum pusher than anything. It's really only there to prevent this from being a series of jokes and gags just jumbled together. There's no real big twist, a few lessons to be taken form it, but they all have been done before. You can pretty much tell what's going to happen at the end within the first 15 minutes. But the story isn't really the important thing here, so no real points taken off for that.
All the actors are good. Clichéd, yes, but they are likable. The goofy, virgin lead guy who's trying to get some tail is played wonderfully by Josh Zuckerman. Pulls it off flawlessly with all the awkwardness and uncertainty that the character would have. Amanda Crew is also really good at the "BFF" of Josh's character. The two have pretty good chemistry, even with all their awkwardly close moments. It isn't perfect, but being in some of those awkward situations, they were (while pushed a bit) familiar.
A surprise is James Marsden. You may remember him as Cyclops from X-Men, and he pulls off a great punk-ass older brother with a sense of humor of his own. He is the typical ass hole older brother in these kind of movies, but he pulls it over very well. Seth Green just seems like he's cruising through the movie. I think he's got a lot of talent and I knew even if the movie was going to be bad, he would provide a good set of laughs. And as a sarcastic Amish engineer genius, he's just fits in this movie seamlessly.
But I have to give a lot of credit to Clark Duke. His first real movie. He was a party extra in Superbad, if I'm not mistaken, the one who called McLovin' a bad ass. Like Seth Green, he just seems to glide through. He also has great chemistry with Josh Zuckerman. You can tell the two of them just had a really good time together on this. He is the suave ladies man who's guiding his pathetic best friend on his verge of losing his virginity, while getting some action himself. He doesn't have the look of the typical character, but he pulls it off excellently.
I put a lot of emphasis on the characters and actors. They were the backbone of the movie. Not the story, but the characters. There's also a hand full of supporting characters that do a good job at their parts, and an unwelcome (well, for me it was unwelcome) appearance by Fall Out Boy.
There are few things worse than a comedy that's not funny. There have been a serious excess of those as well. Dane Cook just had a movie a few weeks ago, and that was a haggard piece of crap. I actually have to say though, I laughed quite a bit in this movie. With the plot, there are going to be quite a few of the sex jokes, involving spooge, penises and homosexuality. Most of them though actually delivered. I can't actually say there were too many flat moments with the jokes. Yes, there were some, but the jokes that worked out-weighed those that didn't.
The climax got really over-the-top, but it did continue on with the laughs, and was satisfying. The closure did take a bit longer than necessary, but didn't drag. The movie was actually well paced and I was never bored.
This is no Superbad. It's not anywhere in that league. I walked out of this movie saying "This is 2000's Road Trip." No, Road Trip wasn't a masterpiece or one of those comedy powerhouses, but it was really good for what it was going for. An over-the-top, R-rated comedy. See it with a group of friends in the theatre. Definitely see it with a crowd, it will probably make it that much more enjoyable. 3.75/5
Also, if you saw the trailer and had no interest, then you probably would want to skip it. It has it's intended audience, and will probably please those people and few others.
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