Dean Spanley

Like a fine wine this film moves its way around the palette. Roles are superbly under-played; silence replaces explosion, wry smile for laughter, lingering looks without raised eyebrows. This is a play of manners, a perfectly pitched study in to the calm veil that shields all from underlying raw emotions.

What's it about? Well it has men, women, dogs and wine; it is set in Edwardian England, and if having watched it you think its about man's best friend, then please avoid having children, let your genes stop with you.

To me Dean Spanley was like one of those magic eye pictures; where you may stare for a long time before the mind relaxes and lets you realise what you are looking at - and in this case it is a real work of art.

Be warned this is a deceptively powerful story - take tissues.

Dean Spanley is delightful, warm, and deeply affecting. It deals with timeless topics, while recreating a rich bygone atmosphere. To hear the repartee of the four principles is priceless. The language is sparklingly literate, precise and urbane, and the choice of words and turns of phrase actually sensual to those who have a love of companionable conversation.

The incomparable Peter O'Toole at the peak of his mastery, Jeremy Northam, Sam Neill, and Bryan Brown weave an immersive presentation of pure acting talent such as is seldom seen. And it is set up by top-notch writing, exquisite sets and beautiful cinematography and costuming.

Mr. O'Toole can match the very best acting in cinematic history using only his eyes

Shakespeare addresses the joys of hearing the English language spoken as perfectly and beautifully as every actor does in this thoroughly delightful film DEAN SPANLEY: 'Speak the speech, I pray you, as I pronounc'd it to you, trippingly on the tongue; but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.' Based on the novel 'My Talks with Dean Spanley' by the colorful writer Lord Dunsany (Edward John Moreton Drax Plunkett, July 24, 1878 in London, England, UK - October 25, 1957 (age 79) in Dublin, Ireland) and adapted for the screen with great dexterity and gentility by Alan Sharp, the story is a study in the meaning of reincarnation in the most delightful sense of the term!

Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior (Peter O'Toole) is caustic, nihilistic has little time or affection for his son Fisk Junior (Jeremy Northam) - they visit only on Thursdays and then in only the most routine of circumstances: even the housekeeper Mrs. Brimley (Judy Parfitt) knows to only fix one boring Hot Pot for them to eat. Fisk Senior seems to have placed all his hopes on his other son who was killed in the Boer War of 1899 to 1902. Fisk Junior encouraged by his friend Wrather (Bryan Brown) breaks tradition and takes his father to a talk by the guru Nawab of Ranjiput (Ramon Tikaram) where they hear about the Indian concept of reincarnation and the inferiority of cats. The lecture is attended also by a vicar named Dean Spanley (Sam Neill) and what follows is a series of conversations and revelations over glasses of Tokay that seem to open up the vicar's remembrance of past lives - a fact that eventually relates to Fisk Senior and manages to change the grumpy old man's outlook on life.

Directed by Toa Fraser with terrific atmosphere and Edwardian elegance, the actors are all superb, but one of the most satisfying aspects of this film is simply hearing a screenplay of perfect English spoken symphonically. It is a thoroughly delightful film on every level. Highly Recommended.

Grady Harp

This film was primarily funded by the New Zealand Film Trust (or something like that). Sam Neill is like you have never seen him before (quite frankly I didn't think he had it in him) and Peter O'Toole is simply marvelous. Proving that age does not diminish true talent. The first 1/2 hour seems to drag due to character development, but the final 45 minutes is about the best movies have to offer. If your heart doesn't wrench and tears don't form, then you're simply not human. This is one of the top 5 films I have ever seen and the standard that I will forever hold "art" movies against. You MUST watch this movie. It is one of the finest ever made and one that I will always remember. For a generation that grew up on Tarantino films and the SAW series this will teach them what film-making is all about.

We found Dean Spanley by surfing Comcast On Demand and were delighted by this witty, thought-provoking and emotional film. It's based on a story by Lord Dunsany, a writer who "imaginatively transforms materials from The Arabian Nights, classical mythology, Celtic, Germanic, and Hindu folklore as well as from medieval lays and quest romances." The cast is amazing for a New Zealand film, the script is excellent, the acting is superb and the climactic scene is totally gripping for all that it takes place in a dinner-table conversation. American film makers should take note of how this is done -- but they won't. Peter O'Toole should get an Oscar for his performance as Fisk Senior -- but he won't. We should all be able to see more movies like Dean Spanley -- but I'm not holding my breath. Don't let that keep you from enjoying this terrific movie. Four enthusiastic thumbs-up for Dean Spanley. (Dean is a title, not a name.)