Julia Child's story of her start in the cooking profession is intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book.
When attending their son's college graduation, a couple reignite the spark in their relationship. But the complicated fact is they're divorced and he's remarried.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Director:
Phyllida Lloyd
Stars:
Meryl Streep,
Jim Broadbent,
Richard E. Grant
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Director:
John Wells
Stars:
Meryl Streep,
Dermot Mulroney,
Julia Roberts
In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Director:
Ryan Murphy
Stars:
Julia Roberts,
Javier Bardem,
Richard Jenkins
The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives.
Director:
Stephen Daldry
Stars:
Meryl Streep,
Nicole Kidman,
Julianne Moore
Julia Child and Julie Powell - both of whom wrote memoirs - find their lives intertwined. Though separated by time and space, both women are at loose ends... until they discover that with the right combination of passion, fearlessness and butter, anything is possible.Written by
Columbia Pictures
Both the Paris and Boston train terminal shots were done in the beautifully restored New Jersey Transit Hoboken Train Terminal waiting room. See more »
Goofs
The film has Judith Jones stand Julie Powell up due to bad weather. Jones told the Boston Globe in August 2009 that, in fact, she had wanted to meet Julie "because I wasn't sure how you put a blog together and I also wanted to talk about recipe rights", but canceled because "Julia Child looked at her blog and didn't think Julie was a serious cook. There were all these four-letter words - that isn't how you describe food if you care and if you're a good writer. Julia thought we shouldn't have anything to do with it." See more »
Quotes
[first lines]
Paul Child:
Repeat after me, okay? Nous cherchons un bon restaurant Français.
Julia Child:
Nous cherchons un bon restaurant Français.
Paul Child:
Quelque chose de typique et charmant.
Julia Child:
Quelque chose de typique et charmant.
Paul Child:
Typique et charmant.
Julia Child:
Typique et charmant.
Paul Child:
Typique et charmant.
Julia Child:
Typique et charmant. Oh Paul, leave me alone.
Paul Child:
[the couple arrives at a restaurant]
Bon appétit.
[...] See more »
Meryl Streep continues to amaze. There's never been an actress quite like her. Her body of work is a gallery of character without parallel. After 3 decades she is still brand new. She never became a parody of herself like many other great actresses before her and, chances are, she never will. Here she recreates a popular icon, fearlessly. Her joy is utterly contagious and her side of the film is a marvel. Amy Adams, good as she is, becomes an unwelcome distraction. We want to stay with Meryl's Julia all the way. I think that Norah Ephron (Mixed Nuts) must have known, she must have! Didn't she notice in the cutting room, that we were going to be turning away from the story every time we move away from Julia Child? In any case I'm glad we had the chance to see this new Meryl Streep creation. Kudos also to Stanley Tucci. Stanley and Meryl create one of the most original believable couples in decades. Thanks to modern technology we will be able to re-edit the film for private consumption and have a sensational short : Julia in Paris.
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Meryl Streep continues to amaze. There's never been an actress quite like her. Her body of work is a gallery of character without parallel. After 3 decades she is still brand new. She never became a parody of herself like many other great actresses before her and, chances are, she never will. Here she recreates a popular icon, fearlessly. Her joy is utterly contagious and her side of the film is a marvel. Amy Adams, good as she is, becomes an unwelcome distraction. We want to stay with Meryl's Julia all the way. I think that Norah Ephron (Mixed Nuts) must have known, she must have! Didn't she notice in the cutting room, that we were going to be turning away from the story every time we move away from Julia Child? In any case I'm glad we had the chance to see this new Meryl Streep creation. Kudos also to Stanley Tucci. Stanley and Meryl create one of the most original believable couples in decades. Thanks to modern technology we will be able to re-edit the film for private consumption and have a sensational short : Julia in Paris.