An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Julia Child and Julie Powell - both of whom wrote memoirs - find their lives intertwined. Though separated by time and space, both women are at loose ends... until they discover that with the right combination of passion, fearlessness and butter, anything is possible.Written by
In the movie, Simone Beck and Julia Child have a contentious lunch with Louisette Bertholle in which Beck insists that because Bertholle has done so much less work on the book than they have, she should be credited as "With Louisette Bertholle" in smaller type under their names. Because Louisette reveals that she is going through a divorce, Julia takes pity on her and says that they should all be credited equally, in alphabetical order - which is how they really were credited on the first edition of Mastering the Art of French Cooking, Volume 1. However, after Julia Child became a famous TV personality in America, later editions of the book featured her name alone and in large type above the title, with both Beck and Bertholle in much smaller type below the title. See more »
When making the famous boeuf bourguignon recipe, there are carrots in the stew, but these are not in the original recipe. See more »
I was lucky enough to receive tickets for an advance screening, and was plenty excited about attending.
There was a slight hiccup when someone started the film 15 minutes before it was meant to start so they stopped it ten minutes in and then restarted it again at the actual time. This actually was not annoying at all because it gave me a chance to look at the background details. Mid-20th century Paris is beautifully rendered and early 20th century New York is given gritty charm with a primary setting of an apartment over a pizza parlor.
Now I know it was an advance screening and everyone was excited to be there, thus much more prone to laugh, but honestly, this film had brilliant moments of humor in it. Myself, friends, and the rest of audience had a number of laugh-out-loud moments. A lot of these stem from the mannerisms of Julia Child, which are as incredibly endearing as they are humorous.
Meryl Streep's acting is, of course, superb. Though my familiarity with Julia Child is a combination of what seems to be legend, a visit to her kitchen in the Smithsonian, and Dan Akroyd's SNL impersonation, Meryl plays Julia so charming and so convincing, you can't help but feel like Julie and fall a little in love with her. On screen, Meryl's Julia brought a constant smile to my face.
Amy Adams is also wonderful, and I really connected with her as Julie Powell. She also does great humor. I found her to be very subtle in her approach and even quite sympathetic when not going through her good moments. Chris Messina as Julie's husband, Eric, does a lot to keep these moments fresh. Finally, Stanley Tucci as Paul Child plays well off Meryl, and dare I as a 21-year-old say it about actors so much older than me? Meryl and Paul honestly have great chemistry.
What really steals the show and appears great on cinema is both Julia and Julie's cooking expenditures. Make sure to eat before attending, I can't stress that enough because the food looks amazing.
As for the negative, the film does drag a bit in the middle. The switching between Julie and Julia POV works great at the beginning and at the end, but I think in the middle, it just makes the plot drag.
Overall, definitely worth going to see and quite enjoyable just make sure to eat before attending!
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