Influential industrialist Vanger's niece Harriet disappeared under mysterious circumstances 40 years ago. As a last attempt at solving the case, he hires investigative journalist Mikael Blom... Read allInfluential industrialist Vanger's niece Harriet disappeared under mysterious circumstances 40 years ago. As a last attempt at solving the case, he hires investigative journalist Mikael Blomkvist.Influential industrialist Vanger's niece Harriet disappeared under mysterious circumstances 40 years ago. As a last attempt at solving the case, he hires investigative journalist Mikael Blomkvist.
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- Writers
- Stars
- Won 1 BAFTA Award
- 18 wins & 35 nominations total
- Malin Eriksson
- (as Sofia Ledarp)
- Plague
- (as Thomas Köhler)
- Director
- Writers
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- Production, box office & more at IMDbPro
Featured reviews
It is a very loyal adaptation of the book (generally one of the most faithful book-to-film adaptations around), which is a fantastic read and has become of my favourite books recently, adhering closely to many of the book's events and such and also perfectly maintaining the bleak and murky atmosphere the book effortlessly creates. However, 'The Girl with the Dragon Tattoo' works even better on its own terms. The central relationship between Mikail and Lisbeth is ever so slightly rushed, however it still resonates while wisely not taking over the story too much (doing a much better job in this aspect than Fincher's.
Fincher's version may be more audacious visually, though this film is a long way from a hack job, and the script here does occasionally lack polish and flow. However, the atmosphere is much more effective here and there is generally more tension and chills, and personally prefer the performances here too (though Rooney Mara in Fincher's film is certainly no slouch).
Enough with the comparisons. 'The Girl with the Dragon Tattoo' (2009) does look great, the bleakness of the setting adds so well to the atmosphere and it's tightly edited and very nicely shot. The haunting and doom-laden score fills one with dread and creates a lot of rich tension. Neil Arden Oplev's directing is masterful, building on the tension and suspense to frightening heights while also directing with a lot of class.
'The Girl with the Dragon Tattoo's' story is incredibly gripping, there is a lot of subplots and characterisation and the film remarkably makes everything intriguing, layered and complete. The long running time allows this to happen admittedly, but with a good deal going on and with deliberate pacing the film easily could have rushed through things or neglected aspects but very rarely does those things. The subplots are superbly chilling with constant and effortless delivery of shock after shock. The bleak and murky atmosphere is present throughout, as is the dark and at times brutal (but not gratuitously so) tone, with plenty of twists and turns that shock and surprise better than a lot of thrillers from the US.
All the acting is very good indeed, but it's the two leads that really impress. Michael Nyqvist makes his vulnerable and flawed character a fascinating character that could have been less complex in lesser hands, but the film does belong to Noomi Rapace, whose seamlessly enigmatic performance is positively screen-burning.
Overall, a great film and one of not many book-to-film adaptations that treats its source material with respect. Swedish thrillers don't get much better than this. 9/10 Bethany Cox
Wow. I loved it. I'm not a huge fan of the crime genre, and I haven't read the books, but THE GIRL WITH THE DRAGON TATTOO is a difficult film to fault. It's a mature and mannered piece of film-making, dealing with adult and taboo themes and wrapping the reader up in a realistic and conscious mystery yarn.
Despite the slow pacing, the movie is thoroughly engaging. Michael Nyqvist and Noomi Rapace are both excellent leads, bringing to life fully flesh and blood characters who engage the reader's sympathy and emotions throughout. The thriller aspects of the story are exciting and as a whole this is a mature and fully developed piece of work. Onto the next...
The films story is very exciting and puzzling (for those that haven't read the book) and the pace is steady with some really tense situations. The investigation part of the story is excellent. Although it is 2.5 hours long it is never boring.
The soundtrack was also very fitting and helped to set the mood of the film. This is far above any other Scandinavian thriller production, and I look forward to the rest of the films/series.
I recommend it to anyone!
Niels Arden Oplevs Män som hatar kvinnor is based on the first of Stieg Larssons three bestselling novels, meaning of course that it is basically guaranteed large box office numbers but the expectations will probably match those numbers. Weather the film manages to live up to these expectations I cannot say seeing as I am one of the probably only eight people who has not read Stieg Larssons books. But as a piece of cinema, completely removed from its literary origins, it definitely leaves an impression!
The music mentioned above, written by Peter Fuchs, is the first thing to register in the mind as something interesting Something that make everything feel very serious. The impending-doom-score composed by Howard Shore, for David Finchers Se7en, springs to mind and this only a few seconds into the film.
The cold, hard, uncomfortable reality where the movie takes place is populated by a highly recognizable legion of people straight out of Swedens acting elite (Gösta Bredenfeldt, Lena Endre, Ewa Fröling, Björn Granath, Peter Haber och Marika Lagerkrantz to mention a few) and they all seem to have been so thrilled to be a part of this project that they almost as one has taken their characters a step back, allowing the spotlight to be shone on the two main characters, who also get to drive the story forward; the reporter Mikael Blomkvist (Mikael Nyqvist), who is digging through a 40 year old murder case involving a well known corporation family with Nazi connections, and the 24 year old computer hacker EMO Lisbeth Salander (Noomi Rapace) that every day hacks Blomkvists hard drive, captivated by the puzzling evidence (or lack thereof).
Nyqvist gets the job done playing what is basically the lesser of the two parts. You instinctively feel sympathy for him, and sympathizes with him even in his very first scene, in which his character is convicted of slander, and sentenced to prison.
But when the lights come back on in the theatre, and you gather up your half eaten box of popcorn and your coat, it's not Mikael Nyqvists understated but persistent reporter you will remember most it's Noomi Rapaces leather-and-stud clad, tattooed, pierced, heavy makeup wearing biker chick, Lisbeth Salander.
Weighted by old wrongdoings as well as new ones, Lisbeth is covered in emotional scars, making her a very interesting character that easily could have been a silly rehash, a Gunvald Larsson in leather. But Noomi Rapace bases Lisbeth in real emotions rather than clichés and hammy over acting. You can tell that there is a real person behind that steely gazed, unyielding face, something that make those parts of the movie, where we get to come with her through what must be some of Swedish cinemas most horrendous scenes, feel that much more awful. You almost can't help looking away, as she is abused over and over again
The relationship between Mikael Blomkvist and Lisbeth Salander is the only part where I felt the movie rushed things just a tad. But this is only a mild piece of criticism, as the lack of insight leaves the audience feeling that they, just like the character Mikael Blomkvist, don't know what to make of Lisbeht Salander.
Besides the two leads, I want to single out Peter Haber, who really got to show off his skills! He is obviously good for more than just playing the silly father of Sune or the annoyingly correct police Martin Beck.
I have, like I mentioned earlier, not read the novels by Stieg Larsson, and I have an automatic aversion towards Swedish cinema; which I usually find stiff, with acting taken straight out of the latest grocery store commercials. In other words, Swedish film has its work cut out trying to sell me anything. But, and I am not ashamed to admit this, I'm gonna go ahead and BUY!!!
In the narrow little world that is Swedish cinema there is a lot that one could or even should avoid. But this movie is not something to be ignored! So leave the kids at home (this is NOT a very pleasant film) and head for your nearest multiplex to take in of the most thrilling Swedish films in a very long time!
Who Was Almost 'The Girl with the Dragon Tattoo'?
Who Was Almost 'The Girl with the Dragon Tattoo'?
Storyline
Did you know
- TriviaNoomi Rapace got her motorcycle license as a preparation for the movie.
- GoofsWhen Lisbeth Salander is sending her encrypted mail to Plague, the screen shows "decrypting" instead of "encrypting".
- Quotes
Mikael Blomkvist: [about Martin Vanger] For fuck's sake, Lisbeth. His father trained him to murder at age sixteen. Anyone would be sick in the head with that kind of upbringing.
Lisbeth Salander: Shut up about the victimisation! He almost killed you. He raped and murdered and he enjoyed it. He had the same chances as us to choose what he wanted to be. He was no victim. He was a sadistic motherfucker who hated women.
- Alternate versionsExtended/TV version runs 30 min. longer and has its aspect ratio changed to 1.78:1.
- ConnectionsEdited into Millennium (2010)
- SoundtracksLjus I Varje Hjärta
Text and Music by Misen Groth (as Misen Groth)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Los hombres que no amaban a las mujeres
- Filming locations
- Tabernas, Almería, Andalucía, Spain(Scene Australia)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $10,095,170
- Opening weekend US & Canada
- $335,502
- Mar 21, 2010
- Gross worldwide
- $104,414,200
- Runtime2 hours 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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