After saving the life of the President in Washington D.C., a pair of U.S Secret Service agents are whisked away to a covert location in South Dakota that houses supernatural objects that ...
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After saving the life of the President in Washington D.C., a pair of U.S Secret Service agents are whisked away to a covert location in South Dakota that houses supernatural objects that the Regents, an Authority above and outside any government, have collected over the centuries. Their new assignment: retrieve lost objects called "Artifacts", seemingly harmless items that can possess immense power, and investigate reports of new ones.
Warehouse 13 - oddities conjure humour, wonderment and the profound.
What a surprising little gem Warehouse 13 has turned out to be. I feel the creative team in control have only just begun tapping into the almost limitless supply of stories available to them with this cracking premise they have conjured. Not surprising really as one of the show's creators is Jane Espenson who wrote some of the best and funniest of Joss Whedon's episodes for Buffy the Vampire Slayer, Angel and Firefly.
In Warehouse 13, two agents find themselves in charge of a top secret warehouse that holds some of the worlds most troublesome and in many cases dangerous objects collected over time. Teamed with the curator of Warehouse 13 and an enigmatic local bed and breakfast owner, the two agents scour the world looking to retrieve, find, and trap the worlds most unique objects, in the hope of safeguarding the planet. Will this be in vane or will they indeed maintain a long time, century's old equilibrium? We can only wait and see.
The fun part of this show is most assuredly with the two leads Myka Bering (Joanne Kelly) and Pete Lattimer (Eddie McClintock) who have a wonderfully playful relationship with each other without the complications of a 'Will they won't they?' subtext. Surrounded with enough warehouse curiosities that allow for humour, wonderment and profound seriousness the show holds it's own with many in the same genre and while the show is still in it's infancy I feel it has established a solid enough first season to warrant a follow up.
That said with the amount of high concept TV out there, Warehouse 13 will probably have to tread more serious ground for the next season, and perhaps inject a more maturing seasonal arc if it is to sustain itself for a longer run on network television.
While I enjoyed the first season I will say there was little tension and certainly the sense of danger to the characters was never quite realised enough for me to worry about anyone or the predicaments they found themselves in. However the number of clever and quirky objects conceived by the writers to further the narrative was fascinating and always a delight.
All told this sits very nicely with shows like Eureka, Reaper and the earlier seasons of Supernatural.
Looking forward to Season Two.
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