After saving the life of the President in Washington D.C., a pair of U.S Secret Service agents are whisked away to a covert location in South Dakota that houses supernatural objects that ...
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A U.S. Marshall becomes the sheriff of a remote cozy little Northwestern town of Eureka where the best minds in the US have secretly been tucked away to build futuristic inventions for the government which often go disastrously wrong.
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
Many in the coastal town of Haven, Maine have a dormant curse or "trouble" that could trigger at any time for any reason. FBI agent Audrey Parker, the sheriff and the town's black sheep must deal with the troubles' deadly effects.
In the year 2046, it's a new Earth - with new rules. Over thirty years after various alien races arrived on Earth, the landscape is completely altered, terraformed nearly beyond recognition... See full summary »
After saving the life of the President in Washington D.C., a pair of U.S Secret Service agents are whisked away to a covert location in South Dakota that houses supernatural objects that the Regents, an Authority above and outside any government, have collected over the centuries. Their new assignment: retrieve lost objects called "Artifacts", seemingly harmless items that can possess immense power, and investigate reports of new ones.
One of the questions Artie suggests to ask when investigating artifact effects, "Do you smell fudge in places where there are no fudge?", becomes a bit of a running joke in the series. Midway through the first season, Myka uses the phrase "I smell fudge" to tell Pete that she's on the trail of an artifact; in the season two premiere, Artie identifies an invisible mine by smell, which Claudia immediately states is fudge. See more »
SyFy (nee "The SciFi Channel") can usually be counted on to air some pretty interesting series; everything from humorous scifi light (Eureka for instance) to the darker, intense stuff (Battlestar Galactica and it's spin off, Caprica). I would definitely put "Warehouse 13" into the previous category rather than the latter. It's a cool quirky series that knows how to have fun with it's six primary, very different, series regulars. Saul Rubinek's Artie Nielsen, who acts as a sort of curator to the warehouse is the gruff, often exasperated anchor point to the rest of the crew and I have to admit: I wasn't crazy about his character at first but he really grew on me. He's kind of like that grouchy uncle you have that really has a heart of gold underneath. C. C. H. Pounder (as regent Mrs. Frederic) is one of those powerful actors who plays such a strong but subtle role brilliantly. Love seeing her on the little screen after such an amazing amount of varied roles on both the tube and the silver screen. The whole cast is a nice mish-mash of personalities that compliment one another but I have to admit a growing favorite of mine is Allison Scagliotti's "Claudia Donovan", who's funny, bright, endearing and occasionally flawed which makes her all the more likable. She winds up getting into some seriously funny messes that require the leads (an equally humorous Eddie McClintock and perfect straight-man Joanne Kelly as agents Lattimer and Bering) to bail her out. The weekly series always has some really cool artifact that belonged to some famous historical figure that wields some kind of science-bending power to it and the leads are tasked with retrieving said artifacts without getting themselves killed or some such other disaster. This show is good and it's getting better with every new episode (thanks to excellent writing) and it's definitely worth checking out if you're not already a fan.
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