The Factory

I watched this movie over the summer and thought it was really good. Very good story and a great twist at the end. Dallas Roberts, who is now on Walking Dead, is excellent. Jennifer Carpenter is pretty much playing her character from Dexter minus the cursing, but she still manages to do a great job. Cusack is good as usual, but the movie has a great ending and is a nice little thriller. The only weird thing is that you'll notice that a lot of the scenery seems outdated. That's because the movie was taped in 2007. Why it was sitting on the shelf for so long? Your guess is as good as mine!

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If you like a cat and mouse game type movie and looking for something with a new twist this is a movie that will meet your needs.

The story is a little slow at the beginning but it keeps you wanting to know the next step.

There are some great blindsides that will get you.

The acting was basic follow the script, not bad but nothing special. The movie has many scenes that are at night so a darker screen. Just making it harder to see the movie if you're in a bright room or watching during the day.

I loved what they did and it caught me by surprise and made me want to tell everyone... guess you'll have to watch to know what scene I'm referring to.

Hollywood veteran John Cusack is detective Mike Fletcher, a maverick cop who has a hard time playing by the rules at the best of times, let alone when trying to find his missing daughter. Mistaken for a streetwalker by the creepy-for-the-sake-of-being-creepy Gary Gemeaux (Dallas Roberts), Abby Fletcher (Mae Whitman) is thrown into a makeshift dungeon with a couple of other inmates who are forced to produce children for a mysterious benefactor.

Cusack and Roberts make an honourable effort despite an uninspired script, but that is the only highlight to draw from this film. Part-police procedural, part-torture porn exploitation, The Factory blends the two polarising genres with mixed results; the end product serving more to unsettle than stimulate or entertain.

Many of the film's victims are inherently unlikeable, and as such do not demand audience sympathy for their dire situations to the extent that they should. The Factory is actually tolerable, albeit immediately forgettable, for much of its run time, until an overly ambitious climax shreds any filmic credibility that might have still lingered in the mind of the viewer. The 'twist' ending is both predictable and illogical, resulting in a disastrous conclusion leaving one feeling somewhere between 'unsatisfied' and 'downright cheated'.

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This film has quite polarized reviews from suspicious 10 star glowing reviews to 1 star reviews of 'Most Horrible Movie Ever' and other similar variations.

Okay... I really had to think about how I would rate this one because MANY times I read horrible reviews of films that are made very well, but the 'reviewer' just didn't like it so obviously it's just crap. I honestly thought that technically and quality and acting wise that the film was made very well; the pacing and editing, etc. were indeed quite gripping and intense. The overall premise was mildly intriguing because as you went along you were genuinely curious as to WHY this guy was doing this. And of course as ALWAYS Cusack's performance was good (although, quite honestly he DID look like he was kinda sleepwalking through most of it)

Now, as far as the 'Ending'... Well... Firstly it DID catch me totally by surprise; I was actually sitting here saying 'NO WAY!' out loud. But, that is a double edged sword because it was so incredible that many here found it almost ridiculous. I wouldn't put it that strongly but I personally think it could have been worked a little better than just kind of attached onto the end of an otherwise competent film; and then the continuing scenes after that also not really quite matching the quality of the rest of the movie.

So, again, is it well made? Yes. Thus my somewhat generous rating of 6. If a film is put together well (except for perhaps the last 10 minutes) I think that that should be acknowledged so that others reading reviews and trying to decide whether they should bother to see it will know that. It is really great? Well, no... But, if you can take the ending with a teaspoon or two of salt and just enjoy the intensity, pacing, and entertainment value of the majority of the movie, then you might like it.

The Factory (2012)

Well, this is a pretty well made movie with some terrible holes in the plot and the writing. So it ends up being just "stupid" in the way that you are pulled along and want to believe the plot and then it's just not believable. Those few large flaws blow out the whole movie.

Too bad. The photography in particular is really good. And the ambiance in snowy Buffalo is terrific. In fact, the constant snow and all the dark scenes with flashlights seems inspired by "Seven" where it's all rain and flashlights. "The Factory" however isn't as well made as a Fincher movie, naturally enough (few movies these days are). And the basic story here is a little contrived from the get-go, even without the holes in the plot.

The idea of a pair of cops pursuing a mysterious serial killer is a cliché of the movies, of course (including "Seven" which didn't invent the idea). And it could work here. A ridiculous coincidence halfway through throws the movie, and the characters, into a tizzy (one of the characters even bemoans his bad luck). But the basic whodunnit is intact and the great filming makes it pulse along pretty well.

The main character is John Cusack who holds his end up well--he's probably a better goofy dad than a relentless cop but he's decent at both. The supporting cast around him is good, though the female cop sidekick isn't especially compelling, just going through the paces of a female cop sidekick (this is Jennifer Carpenter). The daughter is another story, a surprisingly complex character and a good young actress (Mae Whitman, famous for her role in "Parenthood" more than anything, I think). It's not a bad cast.

In fact, the film has the bones of being excellent. It's the story, and the specific writing that went into the story, that kills it. No pun intended.