At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
This movie is an ensemble comedy in which the romance takes place between the young people of the '60s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that wanted classical music, and nothing else, on the airwaves. The Count, a big, brash, American god of the airwaves; Quentin, the boss of Radio Rock - a pirate radio station in the middle of the North Sea that's populated by an eclectic crew of rock and roll DJs; Gavin, the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Dave, an ironic, intelligent and cruelly funny co-broadcaster; and a fearsome British government official out for blood against the drug takers and lawbreakers of a once-great nation.Written by
The scene in which Young Carl sulks about Marianne was originally supposed to be about eight seconds long and contain nothing but Tom Sturridge sitting on a bench and looking sad. Will Adamsdale and Ike Hamilton happened to be there, so Writer and Director Richard Curtis told them to have a go at what they would have done if their friend was in the same situation. He put on 'So Long, Marianne' and they came up with everything that remains in the scene. See more »
Two disk jockeys cavorting on the antenna mast of a 24 hour radio station would have been subject to radio frequency energy burns on the skin, especially if the whole mast was used to transmit. See more »
The day has come. Tonight pirate radio dies. From midnight, we are a ghost ship floating without hope on cold and dark waters. You have done almighty work here. Thank you. But your work is done.
Not mine, sir. I'm an American citizen and I don't give a hootenanny God damn about your nitpicking limey laws. I intend to broadcast from this ship 24 hours a day until the day I die. And then for a couple days after that.
Not wanting to sound rude or anything, but don't you think that might be an ever...
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There is an additional scene after the credits have ended. See more »
US distributor, Universal have chosen to re-title the film as "Pirate Radio" and release it under Focus Features in US territories. This new version will be edited for length by director Richard Curtis after some European reviewers cited its 135 minute running time as a factor in its diminished success. See more »
Anyone looking for a plot or decent script should write their own.
I saw this under the title "Good Morning England" in Paris last night and it reminded me somewhat of "Across the Universe" another film based on its fabulous sound track.
It is a Good Old Boys type of film with women delegated to minor paper thin caricatures of sex-starved sixties rock fans, devoid of motivation or depth. One particular scene is particularly yucky as it involves one of the main characters, an innocent, plotting to secretly rape a woman.
The pirate station resembled nothing of what was prevalent on the air waves in my teen years and the boat was far too heavily populated. But it was a great premise for a film and the cast looks as if it is having a ball. Philip Seymour Hoffman, always appearing as if he was one day overdue for a good hosing down, is marvellous, as is Bill Nighy - can any other actor do understated elegance like he can? - in the role of the Radio Station's owner, living, of course, on the ship. None of these characters have any domestic or home lives and we know next to nothing about them. Thin as onion skin characterizations. Emma Thompson is terrific (and uncredited) and barely recognizable in a key role, as is Kenneth Branagh overplaying an overblown heavy.
Go for the music only and suspend any expectation of a good story. The ending signals from two miles away but everyone is having such a rollicking good time that it is hard not to laugh and share their glee. Be sure to stay till after the credits have rolled.
7 out of 10, the sound track is a must buy.
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