A band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that wanted classical music, and nothing else, on the airwaves.A band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that wanted classical music, and nothing else, on the airwaves.A band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that wanted classical music, and nothing else, on the airwaves.
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- 2 wins & 9 nominations total
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Partly based on real events, the movie deals with the struggles faced by rock and pop music to emerge in England in the early '60s, when the BBC only played one hour of that music per day. The solution: pirate radio stations, situated in the North Sea, playing rock music 24/7. The young protagonist of the film, one Carl (Jim Sturridge) is sent to help on the boat that broadcasts Radio Rock, and ends up sharing experiences with the eccentric manager (Bill Nighy) and the DJs, which include the sardonic Count (Philip Seymour Hoffman), the philandering Gavin (Rhys Ifans) and the weirdly lovable Doctor Dave (Nick Frost). Their biggest problem: the British government, specifically an uptight minister (Kenneth Branagh) who intends to shut down pirate radio for good.
With romance taking a step back (albeit with enough room for a fun subplot or two), The Boat that Rocked is an affectionate and irreverent tribute to a lost era, deftly blending the right tunes - "Wouldn't It Be Nice" plays during a scene that gleefully spoof Titanic - and a mix of sweet and raunchy comedy, with the latter having a more prominent spot in this very guy-centric picture (a scene involving the use of the F-word on the radio also serves as satire, given the picture itself, released almost 50 years after the events, is R-rated for its liberal use of expletives). Strangely enough, though, the political bit of the story, while benefiting from a brilliantly stiff-upper-lipped Branagh, is the weaker section of the film, if only because Curtis, famously unable to restrain himself at times, overplays the joke of an assistant (Jack Davenport) being named Twatt - a poor hangover from the fourth Blackadder series that becomes grating after the first few times.
Then again, such issues are compensated by a lively pace, creative camera work and energetic performances. Sturridge does a good job as the audience surrogate getting us acquainted with the team, but the show is inevitably stolen by the more consummate players and, despite Hoffman's riotous work, the best laughs are inevitably British, with Nighy and Ifans delivering their customary Curtis-inspired performances and Frost proving he doesn't need Simon Pegg to shine. And for all the male-dominated atmosphere, fun cameos by January Jones and Emma Thompson make for some truly funny moments.
In other words, The Boat that Rocked isn't exactly as good as Curtis' biggest hits (then again, not many films can match Four Weddings and a Funeral), but as a piece of excellently scored and foul-mouthed escapism it's quite brilliant on its own terms. Only a real Twatt wouldn't want to watch it.
The Boat That Rocked sees Carl ( Tom Surridge ) go aboard Radio Rock- a pirate radio station owned by Quentin ( Bill Nighy ) whose DJ's (Phillip Semour Hoffman, Rhys Ifans, Nick Frost, Chris O' Dowd, Rhys Darby, etc. ) broadcast 24-hour rock and roll music to the UK. They are adored by the populace but hated by the government, including the Minister of Communications ( Kenneth Branagh ) and his chief subordinate ( Jack Davenport ) who aim to shut them down.
If that was the extent of the plot then it would probably be a 100 mins film. However the Boat That Rocked has so many little sub-plots- many seeming like excuses to put in another montage or cameo cast appearance that the time has ballooned out to 154mins and it does tell at times. Furthermore, while Richard Curtis is entitled to look back on these days with an air of nostalgia, he sometimes seems to get a little too weepy eyed with the story.
But these faults are more than made up for in the performances; all of which are good- and some are outstanding. Phillip Seymour Hoffman's Count is a lovable character who approaches everything with great gusto, while Chris O' Dowd's Simple Simon has a wonderful part in the middle section of the movie which brings a little bit of emotion to what is a pretty emotionally vacant movie. Nick Frost is cheeky as Dr Dave and finally Rhys Darby- fresh from Flight of the Conchords- simply shines in his role as the unpopular and daggy Angus who nonetheless gets arguably the best line in the whole movie.
Overall the Boat That Rocked is silly and entertaining fun. It does get overweight by a looong script, but the soundtrack and the cast are good enough to carry it through.
I have watched several movies about British music history, and I have enjoyed none of them. So it was a pleasant surprise when I watched "The Boat That Rocked", as I find it very enjoyable.
The plot emphasises on the the character's interpersonal dynamics, their passion for music and their strive to rebel. It is a well written and well told story. Character development is excellent, each of them have different charisma and charm. They engage me throughout to the point that I feel what the characters feel. The film is very good, you have to see it to believe it.
I saw this movie years ago and came upon it again just today and it is still as good as the first time I saw it. Come on, British rock, mini skirts, white boo ga loo boots and everything else that came from Britain. Life was fun, exciting and free. I can only wish that new generations can listen to the wonderful sounds of British and new wave US rock from that era. It was a great time to be alive!
Did you know
- TriviaThe scene in which Young Carl sulks about Marianne was originally supposed to be about eight seconds long and contain nothing but Tom Sturridge sitting on a bench and looking sad. Will Adamsdale and Ike Hamilton happened to be there, so executive producer, writer, and director Richard Curtis told them to have a go at what they would have done if their friend was in the same situation. He put on "So Long, Marianne" and they came up with everything that remains in the scene.
- GoofsThe characters frequently use vernacular that was not made popular until much later than 1966. Characters refer to protection as 'condoms,' which were much more commonly called 'Johnnies' in the 60s. Also, Young Carl is told that when dealing with Thick Kevin, it was important to "think outside the box," a term not coined in general use until the early 90s.
- Quotes
The Count: To all our listeners, this is what I have to say - God bless you all. And as for you bastards in charge, don't dream it's over. Years will come, years will go, and politicians will do fuck all to make the world a better place. But all over the world, young men and young women will always dream dreams and put those dreams into song. Nothing important dies tonight, just a few ugly guys on a crappy ship. The only sadness tonight is that, in future years, there'll be so many fantastic songs that it will not be our privilege to play. But, believe you me, they will still be written, they will still be sung and they will be the wonder of the world.
Gavin Cavanagh: Hit it!
- Crazy creditsThis film is dedicated to all who worked and broadcast on the pirate stations - all those wonderful years, all day and all of the night.
- Alternate versionsUS distributor, Universal have chosen to re-title the film as "Pirate Radio" and release it under Focus Features in US territories. This new version will be edited for length by director Richard Curtis after some European reviewers cited its 135 minute running time as a factor in its diminished success.
- ConnectionsFeatured in The 81st Annual Academy Awards (2009)
- SoundtracksAll Day and All of the Night
Written by Ray Davies
Performed by The Kinks
Courtesy of Sanctuary Records Group Ltd.
Under license from Universal Music Operations Ltd.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Pirate Radio
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $8,017,917
- Opening weekend US & Canada
- $2,904,380
- Nov 15, 2009
- Gross worldwide
- $36,352,467
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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