At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
The video begins with the band sitting as a Judges' panel in a small room. The band bring on participants who are hoping to be formed into the group's ultimate tribute act, Fake That. Many ... See full summary »
Pirate Radio USA is a feature length documentary about the underground world of unlicensed radio in the USA, where people play what they want and say what they want-unless the FCC catches ... See full summary »
A genuine and often funny depiction of the relationships between monitors and children in a summer vacation camp. From romance to friendship, dancing to fighting, this French movie bring back good souvenirs of childhood.
This movie is an ensemble comedy in which the romance takes place between the young people of the 1960s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that wanted classical music, and nothing else, on the airwaves. The Count (Philip Seymour Hoffman), a big, brash, American god of the airwaves; Quentin (Bill Nighy), the boss of Radio Rock - a pirate radio station in the middle of the North Sea that's populated by an eclectic crew of rock and roll DJs; Gavin (Rhys Ifans), the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Dave (Nick Frost), an ironic, intelligent, and cruelly funny co-broadcaster; and a fearsome British government official out for blood against the drug takers and lawbreakers of a once-great nation.Written by
The album Bob (Ralph Brown) grabs at the end is the 1967 record, "The 5000 Spirits Or The Layers Of The Onion" by Incredible String Band. See more »
Maxell brand tape reels of 1970s and '80s vintage can be seen in some scenes. See more »
You see, that's the whole point of being the government. If you don't like something you simply make up a new law that makes it illegal. Speaking of which, Mr...
I think we might also start working on legislation to outlaw that haircut of yours.
You don't like it, sir?
No one likes it. Apart from blind people; and I'm sure even they can sense its profound ugliness as it passes by.
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There is an additional scene after the credits have ended. See more »
US distributor, Universal have chosen to re-title the film as "Pirate Radio" and release it under Focus Features in US territories. This new version will be edited for length by director Richard Curtis after some European reviewers cited its 135 minute running time as a factor in its diminished success. See more »
A good-humoured and moving British comedy as a tribute to pop-rock
If you think of "Four weddings and a Funeral" or "Notting Hill", you will be a little disappointed, being here the overall tone not so brilliant, dialogues not so sparkling, however, the both humorous and moving atmosphere of Richard Curtis's comedies is still recognizable.
I think the real protagonist in "The boat that rocked" is music, that sound pop-rock that in the 60's began to move the world, and to be opposed by the establishment as a dangerous weapon in the hands of the multitudes, as a threat to a well consolidated but no longer valid system. Among unreal situations, a totally-lacking plot, among odd and eccentric characters, what only matters is that power of music to revive one's spirits, to give voice to the most uncontrolled, animal, ancestral instincts of man. And thus becomes, in my opinion, the most vivid scene that of those hundreds of records floating on the water, the symbol of a generation, of an era that was then ready to explode, and that no strict establishment could have wiped away, even once illegal radio stations were shut down.
No revolutionary message is conveyed: it's a good-humoured and at intervals melancholic tribute to a generation who, maybe ingenuously, but deeply, and truly believed in out of time-values, friendship, respect, love, and believed that music was a strong, and powerfully effective means to convey them. Even if you don't belong to that generation, each of us has experienced, one or more times in one's life, the communion of a piece of music with the most sensitive chords of our soul: it's about something emotional, but also physical and that's what the director just wants to celebrate.
If you are fond of music, or simply you have once in your life been moved by a song, you will like this movie, or at least enjoy it for what it is, without the necessity of too much criticism.
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