Tim Callahan, aide to New York Senator Lauren Platt, is disappointed that all of the $3 million funding has been pulled from his latest pet project, a safe zone for children and youth. His ...
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A mysterious client of private eye Don Strachey pays him cash to tail a woman who turns out to be an undercover officer; an older lesbian couple are victims of threats and vandalism; an old... See full summary »
A bullied and demoralized gay student at an all-boys school uses a magical flower derived from Shakespeare's "A Midsummer Night's Dream' to turn many in his community gay, including a comely rugby player for himself.
Tim Callahan, aide to New York Senator Lauren Platt, is disappointed that all of the $3 million funding has been pulled from his latest pet project, a safe zone for children and youth. His personal partner, private investigator Donald Strachey, believes Tim's passion for the project stems from the fact of his own sister's troubled youth, she who has been missing since age seventeen. Tim believes his prayers have been answered when a man, identifying himself as a lawyer, tells him that he represents someone who wants to make a $3 million anonymous donation to the project. Those prayers turn into a nightmare when that lawyer is later found murdered, the dead body in Donald's car. The murdered man is Jake Lenigan, a third generation lawyer in a powerful family law firm. Jake's father was murdered twelve years earlier, the perceived suspect in that case being his wife Joan, who has since disappeared. Tim and Donald's situation becomes even more nightmarish when Tim anonymously receives ...Written by
The Donald Strachey films get better and better. In ICE BLUES - the fourth in the series - the performers have really relaxed into their roles and the film noir storytelling is top-drawer. The tribute to the genre mixed with the modern twist (a detective who just happens to be gay and happily partnered) seems effortless here - whereas in other hands I couldn't imagine the premise working. The lighting makes the most daring and successful contribution with lots of shadows and film noir angles giving the film its classy but raw 1940's feel. Chad Allen is steadfast as usual as Strachey. If never surprising in his portrayal, he anchors the film smartly. As usual, there's some stellar support - this time in the person of Sherry Miller (who played the supportive Mom on TV's "Queer as Folk"). Her quiet intensity is always worth watching. Like most detective yarns, the film starts to twist a few times too many in the third reel, but keep with it and it resolves in a satisfying - and maybe even surprising - way.
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