A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
When patients' rights lawyer Colette Hughes goes to meet her new client, Eleanor Riese, a patient in the psychiatric unit of a San Francisco hospital, she has no idea that besides taking on... See full summary »
Helena Bonham Carter,
An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
Amelia Earhart, a Kansas girl, discovers the thrill of aviation at age 23, and within 12 years has progressed to winning the Distinguished Flying Cross for being the first woman to pilot a plane solo across the Atlantic Ocean. At age 39, she sets out on an attempt to circumnavigate the globe, an adventure that catapults her into aviation myth.Written by
Jim Beaver <email@example.com>
In the film, Amelia signs the contract with her left hand, but in real life she was not left handed. Obviously Hilary Swank is. See more »
The black and white film of the Lockheed Electra taking off the first time shows a window next to the door, and a window in the door. When the scene reverts to color, the window in the door is missing. See more »
Why don't you marry my father? Then I won't be afraid of anything anymore.
I'm already married, to Mr. Putnam.
Why can't you be married to Mr. Putnam and my father at the same time?
See more »
I was very disappointed with this movie. It's an honest statement and I am prepared to explain why.
This film had so much on its side. Excellent actors, a fascinating subject, in fact the whole thing reeked of Oscar-Worthy... until it actually showed up in theaters. Perhaps it really did try, and I can tell that it was MEANT to be an awards movie. It couldn't be further from worthy.
"Amelia" is a highlights reel of Amelia Earhart's life, faithfully chronicling all the significant events of the famed aviatrix's career. However, it is hollow and nowhere is this more apparent than in the depiction of Earhart's relationships. Or the lack of it. There's no buildup, no exposition, no sort of character interaction to motivate any kind of bond or love forming between individuals. Things just kind of... HAPPEN. Amelia falls in love, falls out of love, and falls in love all over again, all without any sort of event or prompt to motivate it.
In fact, that's the problem of the entire film. Things just HAPPEN with little or not buildup or motivation in between. Poignant moments come and go with no warning or conclusion, rendering them meaningless and out of context. It seems almost as though the director Mira Nair tried a little too hard in the wrong direction.
This is a biopic, not a biography. Plenty of biographies have been written about Ms. Earhart already, the facts belong there. This is supposed to be a movie, and whereas I have no quarrel with facts, they are not the most important aspects. Movies are supposed to be snapshots, truer to the SPIRIT of a character and the MESSAGE of a story than the events within. Events in and of themselves are hollow and meaningless unless the MOTIVATIONS behind them are explained. In "Amelia", they sadly are not, and we are relegated to seeing the brilliant moments of Amelia's life pass with emotionless detachment. Why? Because this movie makes no effort in building character, assuming that the actors' charisma and the fame of their names would automatically make us invested in their fates.
Ms. Nair, you were mistaken.
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