Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Toxic waste bubbles in a ship waiting permission to dock in Odessa. Frank Martin turns down a job in Marseilles, referring it to a pal. A short time later, the pal, wounded by gunfire, crashes his car into Frank's living room and dies, leaving a young woman in the back seat. The employer of the dead man shows up, forces Frank to take the job, snaps a bracelet on his wrist that will explode if Frank gets more than 75 feet from his car, and sends Frank on a journey east with the young woman and a trunk full of something. She's Valentina, nearly mute. Can Frank figure out what's going on, deliver the package, and escape alive? And what does the ship have to do with it?Written by
All the car stunts were performed in real time, without models and little to no CGI, which naturally provided its daily dose of challenges to Michel Julienne's stunt team. See more »
When Valentina is telling Frank the whole story, we can see that the Audi's rear window is shot to pieces, but when the car is driven through Frank's house, the rear window is intact. See more »
I'm afraid our day of leisure is cut short. There is a big mess in Marseilles - some madman driving an Audi at impossible speeds.
Don't look at me.
That is the first place the chief told me to look. But I will tell him you have the perfect alibi. As usual.
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Not a shade on the first two Transporter movies and here's why
Read through all the reviews of this movie. Big fan of the first two myself and just got back from watching this. Pretty surprised that nobody has articulated the real reasons why this movie doesn't work.
Firstly, if you didn't enjoy the first or second movie all of this probably won't be very relevant. I would have thought that most people watching the third would have likely seen and enjoyed the other films in the series.
So, why is this the weakest film in the series? Anybody's review who criticises it based on a unrealistic plot or implausible action is missing the point. This might be obvious but there are numerous reviews citing these as the reasons for the film being average/bad. It's also an important part of the formula that worked well in the first and second films.
The reason this third effort doesn't work as well and is not as enjoyable is due to a variety of factors - TONE and PACING probably being the key reasons and also areas where it departs from the previous instalments.
By tone i mean a few things. Is there ridiculous over the top action in this film? Yes, most definitely, but the problem is in how it is being presented. The other movies made you laugh in their almost comic book presentation and stunts. This film is genuinely trying to sell itself as a serious action movie. They completely took the humour out of all the potentially very humorous moments through the more 'arty' editing, over the top score dramatic score (soundtrack definitely plays a big part of the different tone in the 3rd movie) and generally lousy script.
This leads on to the pacing, which is far too slow at times. Way too much dialogue between Statham and the girl. Yes we know the character fairly well but the movies were always about the action and less the dialogue. Jason Statham is capable but the script can't really be saved here.
So, a dramatically more realistic Transporter movie but sucked dry of all the humorous and fun tone that made the previous instalments so much fun. As I said there are plenty of silly and deliberately humorous moments but the way it was constructed and presented meant I wasn't laughing anywhere near as much as I was in the other films. This in conclusion is the main failure of Transporter 3 - 5/10 just for being a new movie in an otherwise cool franchise.
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