The documentary follows the booming artificial intelligence industry, what opportunities and challenges it brings and its impact on the global community.
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Title: iHuman (2019)
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2 nominations.
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Cast
| Cast overview, first billed only: | |||
| Max Tegmark | ... | Self - Cosmologist | |
| Zaynep Tufekci | ... | Self - Sociologist (as Zeynep Tüfeçki) | |
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Elenore Pauwels | ... | Self - AI Researcher |
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Ben Goertzel | ... | Self - AI Researcher |
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Jurgen Schmidhuber | ... | Self - AI Researcher (as Jürgen Schmidhuber) |
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Ilya Sutskever | ... | Self - AI Researcher |
| Michal Kosinski | ... | Self - Psychologist | |
| Kara Swisher | ... | Self - Journalist | |
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Yobie Benjamin | ... | Self - Business Angel |
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Lee Fang | ... | Self - Journalist |
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Silvija Seres | ... | Self - Mathematician |
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Stuart Russell | ... | Self - AI Researcher (as Stuart Russel) |
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Salil Shetty | ... | Self - Amnesty International |
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Philip Alston | ... | Self - Human Rights Lawyer |
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Spencer Woodman | ... | Self - Journalist |
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Plot Summary
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Storyline
The documentary follows the booming artificial intelligence industry, what opportunities and challenges it brings and its impact on the global community.
Plot Keywords:
intelligence | privacy | surveillance capitalism | mass surveillance | artificial intelligence |Taglines:
First We Create the Technology, Then it Recreates Us.Genres:
DocumentaryCertificate:
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Details
Country:
NorwayRelease Date:
13 March 2020 (Norway) See more »Also Known As:
iHuman See more »Edit
Box Office
Cumulative Worldwide Gross:
$80,105Company Credits
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IMDbPro »
Personally I've seen nothing new on AI although some given insights by people connected to the industry were quite interesting... The presentation of a Swiss as a 'father of AI' on a mountain hill was pretty amusing as it's just another example how millenials like this doc maker play with history :) AI was found as a discipline in the 50s of the last century and thoughts about raised way earlier.. The part on robotics was also limited to the work of the Swiss 'AI father' and a sight on the Sophia 'humanoid' with just some shots on the better examples available in Japan as well as more interesting visions about implementation of those devices in that country. For some the use of graphics to boost the perception that something fearsome is about to happen might have been helpful :) I wonder what viewers at the IDFA screening picked up when they left the theater as many of them grabbed their phones and most likely used AI driven tools to let their digital friends know what they just have seen...