Honduran teenager Sayra reunites with her father, an opportunity for her to potentially realize her dream of a life in the U.S. Moving to Mexico is the first step in a fateful journey of unexpected events.Written by
Cary Fukunaga spent two years researching the film, spending time with people on the trains and with gangsters in Central America. He also used two gang members to script edit making the slang and language as up to date and realistic as possible. See more »
The teardrop tattoo on el Casper's right eye is missing in two consecutive scenes on the top of the train but is visible on his face throughout the movie both before and after these scenes on the train. Interestingly, the tattoo is an important identifying mark/symbol in the movie and is specifically highlighted by gang members when asking locals if they have seen Casper as they try to find him and hunt him down. See more »
Back home, my friend Clarissa made me see this crazy neighbor, Doña Eleanor, you know, like witchcraft? She smoked this puro, then told me with her freaky voice that I'd make it to the U.S. but not in God's hand, perhaps in the Devil's.
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Written by Eduardo Dávalos De Luna, Román Leonardo Rodríguez López, Alan Alejandro Maldonado Támez,
30 M. Cárdenas
Performed by Cartel de Santa
Courtesy of Sony BMG Music Entertainment (México), S.A. de C.V. See more »
I saw this beautifully crafted new film at Sundance and was completely entranced. The cinematography and design is astounding. The new faces and local actors give everything for the project. The writer/director did an extensive amount of research including riding on the tops of trains with immigrants crossing Mexico, and spending time with MS gang members. And indeed the film is full of all kinds of personal, empirical moments that reach up and contrast the violence and epic quality of the piece. Ultimately the film has a very classical quality that evokes an "Odyssey" kind of timelessness. Everyone should go see this in the theatres the moment it comes out. Great, great first film.
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