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Big Eyes (2014)

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2:34 | Trailer
A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.

Director:

Tim Burton
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3,464 ( 217)
Won 1 Golden Globe. Another 2 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
Amy Adams ... Margaret Keane
Christoph Waltz ... Walter Keane
Danny Huston ... Dick Nolan
Krysten Ritter ... Dee-Ann
Jason Schwartzman ... Ruben
Terence Stamp ... John Canaday
Jon Polito ... Enrico Banducci
Delaney Raye ... Young Jane
Madeleine Arthur ... Older Jane
James Saito ... Judge
Farryn VanHumbeck ... Lily
Guido Furlani ... Dino Olivetti
Elisabetta Fantone ... Olivetti Girl
Emily Maddison ... 2nd Olivetti Girl (as Emily Bruhn)
Brent Chapman Brent Chapman ... Factory Boss
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Storyline

In San Francisco in the 1950s, Margaret was a woman trying to make it on her own after leaving her husband with only her daughter and her paintings. She meets gregarious ladies' man and fellow painter Walter Keane in a park while she was struggling to make an impact with her drawings of children with big eyes. The two quickly become a pair with outgoing Walter selling their paintings and quiet Margaret holed up at home painting even more children with big eyes. But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies. With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings. Written by Anne Campbell

Plot Summary | Plot Synopsis

Taglines:

She created it. He sold it. And they bought it. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | Canada

Language:

English | French | Italian

Release Date:

25 December 2014 (USA) See more »

Also Known As:

Velike oči See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$3,001,738, 28 December 2014

Gross USA:

$14,482,031

Cumulative Worldwide Gross:

$29,253,166
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (ACES)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Margaret Keane: Reading a book on a park bench behind Margaret and Walter, when they paint in front of the San Francisco Palace of Fine Arts. The end-credit photo of her sitting with Amy Adams was taken when this scene was filmed. See more »

Goofs

When Margaret first appears in North Beach, a curb ramp is on the sidewalk at Bannam Place and Green Street. Curb ramps did not exist in 1950s San Francisco. See more »

Quotes

[first lines]
Dick Nolan: [narrating] The '50s were a grand time, if you were a man. I'm Dick Nolan. I make things up for a living - I'm a reporter.
[Margaret frantically packing things]
Dick Nolan: It's the strangest goddamn story that I ever covered. It started the day that Margaret Ulbrich walked out on her suffocating husband, long before it became the fashionable thing to do.
Margaret Keane: Come on, Janie.
[they get into the car]
See more »

Connections

Featured in Honest Trailers: Every Tim Burton Movie (2019) See more »

Soundtracks

They Can't Take That Away from Me
Written by George Gershwin and Ira Gershwin
Performed by Doug Webb
Produced by Deron Johnson
Courtesy of The Weinstein Company
See more »

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User Reviews

 
Domestic Abuse and Denigration
3 March 2015 | by 3xHCCHSee all my reviews

"Big Eyes" was nominated under Comedy & Musical category during the last Golden Globe Awards. Lead actress Amy Adams even won the Best Actress prize for starring in it. While I was watching this film though, it turned out to be furthest from what I had in mind for a comedy. The topic of this film was actually disturbing and depressing. However, being a Tim Burton film, there was certainly dark humor to be had.

This film is a biopic of 1950s novelty pop artist Margaret Keane (formerly Ulbrich, nee Hawkins). She developed a series of haunting acrylic paintings of kids with big dark round eyes. Walter Keane, her rascal salesman of a husband, took advantage of the rising popularity of her paintings. He claimed and mass-marketed them as his own.

Meanwhile, timid Margaret was forced to conform to his web of lies. She was locked in her workroom in their home to paint even more Big Eyes, away from the prying eyes of the public, and even her own daughter. Will Margaret be able to break free from the prison she has trapped herself into?

Amy Adams quietly carried this film capably on her shoulders. There was nothing funny about what she had to do here as Margaret. Her character was the victim of a most cruel crime. Her husband stole not only her art, but also her confidence, and her very freedom. Adams played a weak character, but as an actress, Adams was anything but. With her wise underplaying, Adams successfully won our empathy and compassion for her difficult plight.

Christoph Waltz, on the other hand, was over-the-top, one-dimensional, practically cartoonish, as the manipulative con-man Walter. From his very first scene, you already knew this smooth-talking guy was up to no good. Up to his very last scene in that courtroom, Waltz's Walter was a manic caricature, never really coming across as a real person at all. This may well Tim Burton's direction in play, as this character Walter was the source of most of this film's black humor. Waltz's fiery interaction with Terence Stamp's harsh NY Times art critic character is most memorable as well.

This film's narrative was simple and straightforward. Yet because of Amy Adams' riveting and heart-rending performance, we will be held until the compelling end. The technical aspects of the film, particularly the pastel color palette of the photography, as well as the period production design, costumes and makeup, all contribute to the overall charming look and nostalgic feel of the film as a whole. 7/10.


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