A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Stephen Meyers is a young idealist who's brilliant at communications, is second in command of Governor Mike Morris's presidential campaign, and is a true believer. In the middle of the Ohio primary, the campaign manager of Morris's opponent asks Meyers to meet; he offers him a job. At the same time, Morris's negotiations for the endorsement of the man in third place, a North Carolina Senator, hit a snag. A young campaign intern, Molly Stearns, gets Stephen's romantic attention. Republicans have a trick up their sleeve; Stephen may be too trusting, and Molly has a secret. What's most important, career, victory, or virtue?Written by
After watching Morris stating on a video that extremism cannot be faced with more extremism and that America should understand why its enemies behave as such, Ryan Gosling's character mockingly says "Hello, my name is Neville Chamberlain and I'd like to be your Commander-in-chief". This is a reference to the attitude of the British Prime Minister who, before World War II, blindly believed he could negotiate with Hitler towards peace, with disastrous consequences. See more »
Ryan Gosling's character mistakenly refers to the two lecterns on the stage as podiums when he asks: "Are we going to put risers under these podiums?" A podium is a platform on which the speaker and lectern stand. A lectern is not a podium. See more »
I'm not a Christian. I'm not an Atheist. I'm not Jewish. I'm not Muslim. My religion, what I believe in is called the Constitution of United States of America.
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Despite the fact that much of the movie was filmed in Ohio, the credits of the theatrical release only say "Filmed on location in Michigan". This was corrected for the home video releases, which read "Filmed in the state of Michigan and the state of Ohio". See more »
It's difficult to write a review about this film. It's so full of contradictions (artistic and otherwise) that it leaves you with a funny aftertaste. The film is about an idealistic young man working as a consultant for a campaigning politician and the conflicts and dichotomies he has to face if he wants to remain whole and with his integrity unbroken. Purely from the filmmaking standpoint, the movie will remind you of political thrillers of the 70s made by Alan J. Pakula or Sydney Pollack. It's beautifully shot, has a great script, a very ad-hoc music score, great performances by everyone involved. The way the story and main character evolved, however, lacked coherence and at one point I was under the impression I was watching a fragment of a different movie. Somehow it went from A to D, skipping B and C altogether. That alone changed my viewing experience from fully satisfying to one that, as I said at the beginning, left a funny aftertaste. The movie is more of a character study than a political thriller per se; as the former, it works mainly because of the performances by actors who are able to convey the inner conflicts they face. As the latter, don't expect to be taken aback with unpredictable twists or edge-of-your-seat suspense, because you won't find those here. I give it a 7/10.
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