Blue Valentine

With the growing number of divorce in America, the "happily ever after" shown in Hollywood films are now far-fetched dreams and no longer a reality. Blue Valentine chooses instead to give its viewers a story of unrestrained truth. This film gives us a raw and painful account of a married couple that was once deep in romance and drama but over time had grown apart. Reality stripped them of the passion they once felt toward one another. The film jumps back and forth between the story of how they met and the current turmoil they are in now. Director Derek Cianfrance does an exceptional job of bringing to the screen the gritty and messiness of a failed marriage. Cianfrance definitely understands the searing pain of a couple that has to call it quits not due to abuse or infidelity but simply because they cannot return to the love they once had. Blue Valentine makes the viewer uncomfortable because it is strikingly identifiable. Ryan Gosling and Michelle Williams were amazing together; they successfully capture in every scene the multiple layers and the complexity of a relationship. They feed off of one another on screen and their chemistry is authentic, so much so, that it is often times difficult to swallow. The director's choice to have the two actors live together off screen paid off on camera. Blue Valentine is profound, intense and real. It is definitely a "must-see".

Director Derek Cianfrance may wish to stop wasting his talent on TV and make films his full time occupation. Cinema could use him. His 'Blue Valentine' studies the breakdown of a marriage through beautiful and heartbreaking juxtaposed scenes of past joy and optimism with present scenes of misery and depression. Flitting back and forth in the marriage, it asks: Is romantic love the ultimate form of masochism?

Fine young actors Ryan Gosling and Michelle Williams play Dean and Cindy, who unite through a dogged courtship. Dean is easy-going, happy-go-lucky and content in his removal and packing company. He is chary of formal education, but has a philosopher's outlook. Cindy is sexually over-active and, although occasionally frolicsome, is more mature than Dean. About five years on, romance becomes repulsion, and their marriage becomes one of inconvenience.

Make no mistake, this is uncomfortable viewing – not the sex, which serves the story quite well – but the paranoia, pettiness and pugnacity in the couple's interaction. They reach their nadir when he practically begs for affection, and she pleads with him to be more ambitious.

No two actors have complemented each other this well for some time. In an age where vapid acting is vogue, Gosling is a novelty. He is very charming, yet he has a mournful countenance, and possesses a James Dean-like vulnerability. He'd be my poster-on-the-wall if I were 13.

I can't get that entrancing scene where Dean serenades Cindy out of my head. Dean's philosophical outpourings may be interpreted by some as drivel, but more sensitive viewers will detect the shattering honesty. A memorable maxim: 'Girls spend their whole life looking for Prince Charming and then marry the guy who's got a good job and is gunna stick around.'

We go to the movies – many of us – to escape real life. Comfortable as voyeurs, we let our favourite stars distract us and we forget our worries. But 'Blue Valentine' shows a truth no cinema can shield us from. It mustn't be missed.

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No matter what else is yet to be released, you will not see two better performances this year than Ryan Gosling and Michelle Williams.

It's almost impossible to imagine anyone in anything coming close. In the defensive, aggressive way he turns every line of dialogue around on the speaker as a hidden affront to his insecurities, Gosling reminded me of no less than De Niro in Raging Bull as the older Dean. Playing the younger version, he channels the charm, romanticism, and recklessness of a 1960s Paul Newman.

Williams, who has emerged as the best American actress 30 and under, pulls off a performance that recalls Gena Rowlands' work with Cassavettes. Which is not to say either is an imitation, they aren't "doing method" or aping the authenticity of previous greats. They're 100% the real deal, so good you can only compare them to the best, and they fully embody these characters in every frame. They made me believe, they made me care, they broke my heart.

The story is a familiar one because it's the most common source of drama in life and art but avoids cliché and instead handles the subject with uncommon insight and grace. The lack of context scene-to-scene keeps the audience engaged and on their feet, filling in the intentional holes with their own experience and lending the film a universal relatability. In good times and bad, we can recognize our own triumphs and failures in love. It captures the joyous highs and devastating lows of relationships better than anything I can recall. Gosling singing while Williams tap dances, what she reveals to Gosling on the bridge and how he reacts, the scene in the doctor's office towards the end... they achieve that sense of cinematic transcendence so rare these days. They simply don't craft scenes like this or give actors roles this fully realized in Hollywood anymore.

It's clear this was a labor of love for all involved and it paid off in spades. This is the best American film I've seen this year.

Love is not only a product that always turns out great. Love is also not a energy that always lives forever. Even with the greatest memories, one doesn't necessarily hold on a love pattern with another person for his or her entire life. I was happy that Blue Valentine showed that side of love. Love can be filled with hatred. Love can express jealousy. It's a strong feeling, so why wouldn't it arise other strong emotions?

Blue Valentine represents realisticly a failing relationship. From the over-the-shoulder perspective, the depth of field mainly focusing on character and the exceptionnal acting by Michelle Williams and Ryan Gosling, it felt like you couldn't stand being in that relationship. It was so real.

Also, kudos to the soundtrack.

Let me start this off by saying that this movie is not for everyone and I did not particularly enjoy myself while watching it.

It's a very well made film with beautiful shots and amazing acting. The story and themes are well fleshed out and provide for some uncomfortable scenes throughout the movie. From a film-making standpoint, this movie is great.

Despite its technical aspects that I loved, I simply did not enjoy this film all that much. There were too many uncomfortable scenes that included sex, domestic violence, and other intense events. While well made, this film seems like a one time watch. I cannot imagine putting myself through such a depressing movie again.