Fear Itself (2008–2009)
16 user 15 critic


A private eye has to face his demons while on a stakeout in a haunted house.


Brad Anderson


Mick Garris (creator), Matt Venne (as Matthew Venne)




Episode cast overview:
Eric Roberts ... Harry Siegel
Cynthia Watros ... Meredith Kane
Jack Noseworthy ... Rory Bemell
Lawrence Gilliard Jr. ... James (as Larry Gilliard Jr.)
Liam James ... Young Harry
Jake Church ... Max
Tom Edwards ... Father
Matt Kloster Matt Kloster ... (as Matthew Kloster)
Pete Seadon ... Senior Officer
Blake Dickson Blake Dickson
Liana Shannon
Brendan Prost Brendan Prost
Robert Feagan Robert Feagan
Melissa Milley Melissa Milley
Brad Kelly Brad Kelly


Harry Seigal is a private investigator who, several years earlier, was dismissed from the police force after accidentally killing a suspect during interrogation. Now he's taken on a case for a woman whose husband she suspects is cheating on her. After setting up in a house across from his target, he begins observation. However, Seigal is about to discover is that his past is coming back to haunt him. Written by bioguyver43

Plot Summary | Plot Synopsis




TV-14 | See all certifications »

Parents Guide:

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USA | Canada



Release Date:

12 June 2008 (USA) See more »

Filming Locations:

Edmonton, Alberta, Canada

Company Credits

Show more on IMDbPro »

Technical Specs





Aspect Ratio:

1.78 : 1
See full technical specs »

Did You Know?


References The Lone Ranger (1949) See more »


Get Away With That
Written by Michael Baiardi and Daniel Salvatore Sr
Published by Soundfile Publishing (ASCAP)
Performed by Caliber
Courtesy of Soundfile Records
See more »

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User Reviews

"SPOOKED" By The Prospect, Pleased With The Results...
17 June 2008 | by cchaseSee all my reviews

Frankly, when I heard that the folks behind Showtime's MASTERS OF HORROR were doing an summer-long anthology series for NBC, I was anything but interested. With the spotty record of MASTERS, the saving grace of the sub-par episodes on that show were the buckets and buckets of gore and grue they could get away with - something they can only go so far with even in the 10 P.M. slot on network television.

Due to a storm in our area, a bad signal prevented me from seeing the previous episode, but I sure hope it was as good as "SPOOKED" turned out to be. Co-written by creator Mick Garris with Matt Venne, (who adapted the jaw-dropping PELTS from F. Paul Wilson's short story), and directed by Brad Anderson (SESSION 9 and the MASTERS episode "Sounds Like"), this was a perfect showcase for all the talent involved, but most especially for the underrated Eric Roberts. It's a terrific performance that makes you wonder why he isn't working a lot more.

All the themes that Anderson loves to work with are here: alienation, family dysfunction and tragedy, a deep exploration of the dark side of the human soul. The plot will not be unfamiliar to most avid horror fans, but the execution is amazing to say the least.

Roberts plays Harry, a disgraced cop whose heavy hand with his suspects leads to the death of a creepy kidnapper (Jack Noseworthy.) Years later, Harry, now a sleazy P.I. specializing in divorce cases (and occasionally shaking down his clients for more money), takes a case from a desperate woman (Cynthia Watros) out to prove her husband's infidelity. But rather than have him followed, she pleads with Harry to stake him out at their home, using the abandoned house across the street as his lookout post.

Well, one look at the house across the street tells you that Really Bad Things are going to happen, which they do. But it's HOW those things happen and what they reveal about Harry and everyone involved that makes this story different.

Larry Gilliard Jr. and Watros are also great as Harry's assistant and his new client, respectively. But much in the same way that director Anderson was able to get outstanding performances from Peter Mullen in SESSION 9 and Chris Bauer in SOUNDS LIKE, he puts it on the line for Roberts, who does not let him down. Harry is not so much a "good guy gone bad" as someone who is irreparably damaged, and the fact that he makes us empathize with him although he's dead-wrong about the methods he uses to "make things right", lends a human touch in a tale where deeds are being perpetrated by forces that are anything but.

"SPOOKED" has definitely convinced me to stick with this series for now.

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