Jarle Klepp from "The Man Who Loved Yngve" is now a student on 25, loving women, indie rock and deconstruction. Then he gets a letter telling him he's a father, after a drunken one night stand with a 15 year old, 7 years ago, back in 1989.
Rolf Kristian Larsen,
Amina Eleonora Bergrem,
Pål Sverre Hagen
1979 is ending, the 80s are approaching rapidly. Carl and Robert, two slacker best friends who smoke hashish as a way of cheerful living - have been peddling hashish for a decade, hitting ... See full summary »
Ulrik Imtiaz Rolfsen
Nicolai Cleve Broch,
Thomas Bo Larsen
When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and... See full summary »
Per Christian Ellefsen,
Marit Pia Jacobsen
Sasha is a piano prodigy under pressure to gain admittance to a prestigious music school. What is really stressing Sasha is his emerging sexuality, plus his piano tutor is moving away, because Sasha is in love with him, and no one knows.
Three years have passed since Elling moved to town together with Kjell Bjarne, his roommate from the institution at Brøynes. Elling now lives on his own in the apartment. Kjell Bjarne has ... See full summary »
Per Christian Ellefsen,
Marian Saastad Ottesen
It's November 1989, and the Berlin Wall is falling. In Stavanger, Norway, teenage boy Jarle has a great new girlfriend and is starting a rock band with his buddies. But when a new boy, the synth pop-listening Yngve, joins his class, Jarle is more fascinated than he wants to be, and the world as he knows it starts to crumble.Written by
Peter Brandt Nielsen
I saw this film without having read the book, and although it bears the clear feel of a book-adapted film, it works perfectly. It is generally the case that fans of books are disappointed with film adaptations, and so it is fair that some may dislike the film. However, the apparent lack of narrative (again, understandable from having read the book) is not something I personally noticed. The thought and feeling of the characters is conveyed through that beautiful idea that not everything has to be said - the silence of the characters, the unspoken lines, the long nothings, all resemble what it is like to be and think and feel in the far more incomprehensible reality than we usually see in films and hear in songs. All of the characters show great depth, and are cast perfectly - having never seen a Norwegian film before, it was a nice change, too.
The story itself was original, but simultaneously was perfect for something to relate to. Set in the late 80s - at the time of the collapse of the Berlin Wall - when music culture had a very strong influence, but where political and social values were uncertain, it creates a very suitable backdrop to a story about such uncertainty. The time period was represented very well in the film, with the soundtrack chosen very well. And then there was Fortapt, that beautiful song that Jarle Klepp writes.
My only criticism is that it was too short, and that the editing was a little off in places - the changes between emotionally contrasting scenes was too abrupt in places, and so created some confusion.
It doesn't quite trump The Shawshank Redemption, but Mannen Som Elsket Yngve can sit content as my second favourite film so far.
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