Filmmaker Martin Scorsese examines the life of musician George Harrison, weaving together interviews, concert footage, home movies and photographs.Filmmaker Martin Scorsese examines the life of musician George Harrison, weaving together interviews, concert footage, home movies and photographs.Filmmaker Martin Scorsese examines the life of musician George Harrison, weaving together interviews, concert footage, home movies and photographs.
- Won 2 Primetime Emmys
- 6 wins & 11 nominations total
George Harrison
- Self
- (archive footage)
Peter Harrison
- Self
- (as Pete Harrison)
Stuart Sutcliffe
- Self
- (archive footage)
The Beatles
- Themselves
- (archive footage)
John Lennon
- Self
- (archive footage)
Mick Jagger
- Self
- (archive footage)
Derek Taylor
- Self
- (archive footage)
Brian Epstein
- Self
- (archive footage)
Dick Cavett
- Self
- (archive footage)
Lakshmi Shankar
- Self
- (archive footage)
Featured reviews
Of course you'd have to be a fan to really appreciate Martin Scorcese's extensive re- telling of the life and times of George Harrison but I am and so I presume was everyone at the sold out screening of the movie tonight at the Glasgow Film Theatre. More assembled than directed of course, Scorcese takes us through the highs and occasional lows of the man's life without signposting anything too obviously so that the near four-hour viewing time rarely drags (it was broken by a half-hour intermission at the showing I attended) and I found myself rapt with attention.
The film starts with a typically humorous, modest and elusive appearance by George seen between the flowers in his massive garden at Friar's Park, which mansion features so extensively in the footage shown that it should almost get a credit too. From there, Scorcese takes us on a linear journey dwelling on the major events in his life without markedly signposting the passage of time at any point, which I think helped the flow of the film. There was much archive photography and video footage which even a die-hard like me hadn't seen before, and the interviewees are well chosen and well edited, although I was surprised that say, Jeff Lynne or Michael Palin didn't get a look-in, although maybe Marty thought re. the latter that the presence of two other Pythons (Eric Idle and Terry Gilliam) was enough. The best of the interviewees are probably Gillam, Ringo and George's widow while the resemblance to his son Dhani is quite uncanny. The shock appearance of a now incarcerated Phil Spector, looking ridiculous in his "wig of the day" is controversial and prompted gales of laughter amongst the Glasgow crowd but he's actually surprisingly lucid. Yes perhaps Scorcese dwells too much on the Beatles time and omits his output from 1973 to 1988 almost totally - it was a mistake surely to not mark the sequence on Lennon's murder without playing even a snatch of "All Those Years Ago" and likewise to make no reference at all to his comeback hit single "Got My Mind Set On You" and parent album "Cloud Nine". Even so, while some may argue as to whether Harrison's own legacy deserves this Scorcese tribute in the wake of the great director's other recent homages to Dylan and the Stones, the fact that the audience I was among thought enough of what they had watched to spontaneously applaud at the end tells its own story, I think. As we near the tenth anniversary of his untimely death, I certainly enjoyed the movie and left convinced that George was a decent, not perfect man who while he may he have been the third most talented of the four Beatles, was more than worthy of this sincere and entertaining tribute.
The film starts with a typically humorous, modest and elusive appearance by George seen between the flowers in his massive garden at Friar's Park, which mansion features so extensively in the footage shown that it should almost get a credit too. From there, Scorcese takes us on a linear journey dwelling on the major events in his life without markedly signposting the passage of time at any point, which I think helped the flow of the film. There was much archive photography and video footage which even a die-hard like me hadn't seen before, and the interviewees are well chosen and well edited, although I was surprised that say, Jeff Lynne or Michael Palin didn't get a look-in, although maybe Marty thought re. the latter that the presence of two other Pythons (Eric Idle and Terry Gilliam) was enough. The best of the interviewees are probably Gillam, Ringo and George's widow while the resemblance to his son Dhani is quite uncanny. The shock appearance of a now incarcerated Phil Spector, looking ridiculous in his "wig of the day" is controversial and prompted gales of laughter amongst the Glasgow crowd but he's actually surprisingly lucid. Yes perhaps Scorcese dwells too much on the Beatles time and omits his output from 1973 to 1988 almost totally - it was a mistake surely to not mark the sequence on Lennon's murder without playing even a snatch of "All Those Years Ago" and likewise to make no reference at all to his comeback hit single "Got My Mind Set On You" and parent album "Cloud Nine". Even so, while some may argue as to whether Harrison's own legacy deserves this Scorcese tribute in the wake of the great director's other recent homages to Dylan and the Stones, the fact that the audience I was among thought enough of what they had watched to spontaneously applaud at the end tells its own story, I think. As we near the tenth anniversary of his untimely death, I certainly enjoyed the movie and left convinced that George was a decent, not perfect man who while he may he have been the third most talented of the four Beatles, was more than worthy of this sincere and entertaining tribute.
I was waiting for this movie so long. Now, I have watched this. I must admit - I was crying at the end of this great, deeply sympathetic, endearing, sincere, sweet eulogy to a great Master, George Harrison, who is not with us for 10 years now. When George died in 2001, I was in real shock. As if my father dies, or my best friend. Maybe, only Harrison produced such a tremendous effect on me as when he was no more, I cried a week. I was asking that year, Can anyone make a movie about him? Martin did. I loved every second of this great narration and was deeply touched by sincere confessions of Ringo, Paul, Eric, Tom, many others. When they cried, I wanted to weep too. George was really somebody special, different, enigmatic and profoundly great. Martin Scorcese made a real labor of love here, and all the rare footage and extremely great commentaries from Ravi, Idles, Gilliam or Patti and Olivia made this big movie a classic right now. Great work, A grade.
George Harrison: Living in a Material World (2011)
*** 1/2 (out of 4)
Considering some of the movies that director Martin Scorsese has made you'd think that he'd be the wrong person to tell the life story of George Harrison but after viewing this mammoth documentary it's easy to see why the two went together. This documentary runs 203-mintues so it's extremely wrong but it covers just about everything you'd want to know about Harrison. We start off with his brothers talking about what type of kid he was and then we move to his audition for what would become The Beatles. From here we see the bands rise and fall as well as how Harrison decided to go solo with All Things Must Pass. He experiments with drugs are well documentary as is the influence Indian music had on him. The Bangladesh concert, his Traveling Wilburys days and his comeback are also discussed before we get to the 1999 home invasion attack as well as his fight with cancer. Among those interviewed are Harrison's widow Olivia, Terry Gilliam, Paul McCartney, Ringo Starr, Tom Petty, Eric Idle, George Martin, Eric Clapton, Yoko Ono, Ravi Shankar and Phil Spector among many others. With such a long running time I went into the film a little worried that there was just going to be too much but I was pleasantly surprised to see how quickly the film went by as it certainly doesn't feel over three hours. What works so well is that there's a clear direction in all the material and it appears that Scorsese wanted to get across that Harrison was constantly searching for something that he could probably only find in death. It's clear from those interviewed that Harrison wanted to experience as much as he can and there's a lot of talk about him preparing himself for death and he wanting to be prepared for when he eventually left his body. I found all of this to be quite fascinating and the real master work from Scorsese comes towards the very end. We get a pretty disturbing story of Harrison being attacked in his home, which his widow tells in such a way that you can't help but feel creeped out. Everyone knows that Harrison did eventually die from cancer but I won't ruin how this film ends but lets just say that it's quite powerful. I think the weakest part of the film is some of the stuff dealing with The Beatles simply because we've seen it so many times before. The first part of the film runs 94-minutes and goes up to just before the Beatles broke up. Part two clocks in just under two-hours and goes from the break-up to Harrison's death and I think this portion of the documentary is the best. Either way, fans are certainly going to enjoy all the concert footage, rare photos, the interviews and of course Harrison gets to speak his own words with some old interviews.
*** 1/2 (out of 4)
Considering some of the movies that director Martin Scorsese has made you'd think that he'd be the wrong person to tell the life story of George Harrison but after viewing this mammoth documentary it's easy to see why the two went together. This documentary runs 203-mintues so it's extremely wrong but it covers just about everything you'd want to know about Harrison. We start off with his brothers talking about what type of kid he was and then we move to his audition for what would become The Beatles. From here we see the bands rise and fall as well as how Harrison decided to go solo with All Things Must Pass. He experiments with drugs are well documentary as is the influence Indian music had on him. The Bangladesh concert, his Traveling Wilburys days and his comeback are also discussed before we get to the 1999 home invasion attack as well as his fight with cancer. Among those interviewed are Harrison's widow Olivia, Terry Gilliam, Paul McCartney, Ringo Starr, Tom Petty, Eric Idle, George Martin, Eric Clapton, Yoko Ono, Ravi Shankar and Phil Spector among many others. With such a long running time I went into the film a little worried that there was just going to be too much but I was pleasantly surprised to see how quickly the film went by as it certainly doesn't feel over three hours. What works so well is that there's a clear direction in all the material and it appears that Scorsese wanted to get across that Harrison was constantly searching for something that he could probably only find in death. It's clear from those interviewed that Harrison wanted to experience as much as he can and there's a lot of talk about him preparing himself for death and he wanting to be prepared for when he eventually left his body. I found all of this to be quite fascinating and the real master work from Scorsese comes towards the very end. We get a pretty disturbing story of Harrison being attacked in his home, which his widow tells in such a way that you can't help but feel creeped out. Everyone knows that Harrison did eventually die from cancer but I won't ruin how this film ends but lets just say that it's quite powerful. I think the weakest part of the film is some of the stuff dealing with The Beatles simply because we've seen it so many times before. The first part of the film runs 94-minutes and goes up to just before the Beatles broke up. Part two clocks in just under two-hours and goes from the break-up to Harrison's death and I think this portion of the documentary is the best. Either way, fans are certainly going to enjoy all the concert footage, rare photos, the interviews and of course Harrison gets to speak his own words with some old interviews.
Martin Scorsese has throughout his career, made several labor of love documentaries mainly on the subject of another of his passions, music. In this one his focus is on "the quiet" Beatle. Harrison was always seen as completely secondary to Lennon and McCartney. However, in this film , Scorsese shows the complexity of his character. We see his very important contribution to The Beatles, not only through his own song writing, but also the elements that essentially made many of the Lennon/McCartney compositions.
We follow him through his exploration of, particularly, Indian mysticism and philosophy, and how he integrated this into his everyday life. His contribution to the film industry is summarily gone over, from his involvement with Monty Python And The Holy Grail (1974), through to the creation of the production company, Handmade Films, that became involved in some of the great British films of the 1980's.
What is apparent throughout the film is Scorsese's clear love of the music. Using still photographs, there are many sections that fill the three and a half hours with Harrison's songs. Scorsese uses these throughout, and presents them chronologically, so that we are able to witness the evolution of Harrison's song writing.
A clear documentary made by someone passionate about the subject, the film paints a picture of a very interesting man, who lived through much change around and within himself. This is a very well researched, well constructed story, and whilst long, does not seem that way whilst viewing.
www.the-wrath-of-blog.blogspot.com
We follow him through his exploration of, particularly, Indian mysticism and philosophy, and how he integrated this into his everyday life. His contribution to the film industry is summarily gone over, from his involvement with Monty Python And The Holy Grail (1974), through to the creation of the production company, Handmade Films, that became involved in some of the great British films of the 1980's.
What is apparent throughout the film is Scorsese's clear love of the music. Using still photographs, there are many sections that fill the three and a half hours with Harrison's songs. Scorsese uses these throughout, and presents them chronologically, so that we are able to witness the evolution of Harrison's song writing.
A clear documentary made by someone passionate about the subject, the film paints a picture of a very interesting man, who lived through much change around and within himself. This is a very well researched, well constructed story, and whilst long, does not seem that way whilst viewing.
www.the-wrath-of-blog.blogspot.com
I had very low expectations- I have seen so many movies about the Beatles and they all use the same tired old video clips we've all seen a million times.
Much to my surprise, most of the material was fresh , amazing material that I'd never seen before.. with insights from Paul and Ringo that held me spellbound.. how George was introduced to John Lennon and the first song he played on top of a bus(watch the movie for the details) -just the little things you'd never know unless you saw the movie..
In my opinion, the first half was better than the second half, I think mostly because I knew how things would end... and I really, really didn't want it to end. But it did.
I miss George and John. It was a fantastic movie.
Much to my surprise, most of the material was fresh , amazing material that I'd never seen before.. with insights from Paul and Ringo that held me spellbound.. how George was introduced to John Lennon and the first song he played on top of a bus(watch the movie for the details) -just the little things you'd never know unless you saw the movie..
In my opinion, the first half was better than the second half, I think mostly because I knew how things would end... and I really, really didn't want it to end. But it did.
I miss George and John. It was a fantastic movie.
Storyline
Did you know
- TriviaHarrison's widow, Olivia, who collaborated on the film, has said: "I almost don't want people to see it. It's like showing everybody into your most private place."
- ConnectionsEdited from A Hard Day's Night (1964)
- SoundtracksAll Things Must Pass
Composed by George Harrison
Performed by George Harrison (uncredited)
Published by Harrisongs Limited
Licensed courtesy of EMI Records Ltd and G.H. Estate Limited
- How long is George Harrison: Living in the Material World?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- George Harrison: Trong Một Thế Giới Vật Chất
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $156,113
- Runtime3 hours 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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Top Gap
By what name was George Harrison: Living in the Material World (2011) officially released in India in English?
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