Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this?Written by
The R-142 and R-142A subway cars portrayed in this film are permanently linked into 5-car sets and cannot operate as single units. R-62A 2079, a single car capable of operating alone, was cosmetically modified to resemble a modern car for this film and restored to its original appearance after filming was completed. See more »
Despite being killed by a direct head shot from the sniper, Ramos is clearly breathing when Ryder is checking the gold futures and talking to Garber. See more »
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Jay Z
Courtesy of Roc-A-Fella Records/The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains a sample of "Long Red"
Performed by Mountain
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Also contains a sample of "The Big Beat"
Performed by Billy Squier
Courtesy of Capitol Records
Under license from EMI Film & Television Music See more »
It started like any ordinary day; that's likely what N.Y.C. subway dispatcher Walter Garber, an employee of questionable character, was thinking when he got up and went to work in the morning. Little did he know that he'd become the confidant and 'stand-in' hostage negotiator for a prickly criminal mastermind who takes over the Pelham subway train and demands money in exchange for the lives of its passengers. Hearing the names Washington, Travolta, and Scott creates a lot of anticipation, but unfortunately what wants to be a slick combination of suspense thriller and character study instead results in a ponderous film with a weak setup, predictable plot twists, shallow characters, and little tension. It's easy to watch with actors of Washington and Travolta's caliber at work, but Scott's direction is pretentious and throws out some obligatory action scenes that seem to exist for the sole purpose of padding the time on the way to an expected climax. The leads do what they can with the strained material but really deserve better. **
110 of 141 people found this review helpful.
Was this review helpful to you?
| Report this