6.5/10
184
4 user 5 critic

Kuraimâzu hai (2008)

A newspaper editor (played by Shin'ichi Tsutsumi) who deals with the crash of Japan Airlines Flight 123.

Director:

Masato Harada

Writers:

Hideo Yokoyama (novel), Masato Harada (adaptation) | 2 more credits »
Reviews
8 wins & 10 nominations. See more awards »

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Cast

Credited cast:
Shin'ichi Tsutsumi ... Kazuo Kiki
Masato Sakai Masato Sakai ... Tatsuya Sayama
Machiko Ono Machiko Ono ... Chizuko Tamaki
Masahiro Takashima Masahiro Takashima ... Anzai Koichiro
Tsutomu Yamazaki ... Raizo Shirakawa
Rest of cast listed alphabetically:
Denden ... Masao Kamejima
Ken'ichi Endô Ken'ichi Endô ... Yohei Todoroki
Keisuke Horibe Keisuke Horibe ... Zenkichi Tazawa
Yukijirô Hotaru Yukijirô Hotaru ... Jo Oimura
Yû Kamio Yû Kamio
Magy Magy ... Benjiro Yoshii
Sarutoki Minagawa Sarutoki Minagawa ... Yasuo Ito
Ikuji Nakamura Ikuji Nakamura ... Takaaki Kasuya
Naomi Nishida Naomi Nishida ... Sayuri Anzai
Maho Nonami Maho Nonami ... Minami Kuroda
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Storyline

A newspaper editor (played by Shin'ichi Tsutsumi) who deals with the crash of Japan Airlines Flight 123.

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »

Genres:

Drama

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Details

Country:

Japan

Language:

Japanese

Release Date:

5 July 2008 (Japan) See more »

Also Known As:

Climbers High See more »

Filming Locations:

Mishima, Shizuoka, Japan See more »

Company Credits

Production Co:

Be-Wild See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Connections

References Ace in the Hole (1951) See more »

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User Reviews

 
A high, of sorts
8 May 2010 | by poikkeusSee all my reviews

IKURAMAIZU HAI (or climber's high) tells the story of a newspaper editor (Shin'ichi Tsutsumi) who finds himself in the grip of that's likely to be the greatest story of his life: the tragic crash of a JAL passenger jet. It turns into an international story. But the tragedy happens in his own prefecture. At the same time, he must confront certain realities of his own - a fastidious attention to fact-checking, a short fuse, the uncertainty of his own past. This plays out in the charged environment of a newsroom with fewer resources than, say, the big circulation Tokyo papers.

Intercut with this, we experience Tsutsumi's present-day story as he attempts to scale two personal issues: both of which may help resolve his past.

The details of production capture the time and setting quite smartly, and not to mention the protagonists' personal agendas and politics. The present-day plot tries to incorporate the film's main theme - that the events of life offer their own challenges, and demand time to heal. While the editing of the two plot elements may seem initially confusing, and perhaps contrived at times, it all fits together in a handsome entertainment.


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