Inspired by real events in the life of French New Wave icon Jean Seberg. In the late 1960s, Hoover's FBI targeted her because of her political and romantic involvement with civil rights activist Hakim Jamal.
Lonely and disturbed Jacob Kell loved his little sister more than anything on earth. When tragedy strikes, Jacob retaliates the only way he knows how - and anyone who crosses his path will know there is no limit to his brutal vengeance.
Laura loses her family in a tragic fire while living in Spain. Just as she prepares to return home to the States, a member of the American embassy provides proof that it wasn't an accident.... See full summary »
Penelope Ann Miller,
"My Brother" is an inner city story of two impoverished boys, Isaiah and James. James is developmentally disabled. Their mother, L'Tisha, finds herself in a tragic situation. Dying of ... See full summary »
The Night Visitor 2:HEATHER'S STORY runs parallel to the original Night Visitor, telling the story of Heather, a special young girl, who must protect her family and the planet from the same... See full summary »
As Jon (Shawn Welling and Michael Biehn) and Joy Ford (Tory Tompkins) move into the small town of DarkHorse, mysterious and supernatural occurrences threaten to tear the town apart. Teenage... See full summary »
A world-renowned spiritual leader arrives in the Asian nation of Purma to give a teaching to the faithful. Accompanying him is a retinue of monks and attendants, including his personal ... See full summary »
Winner of 4 2012 New York Internatinal Film Festival Awards including Best Drama Feature, Best Director/Writer/Producer Connie Stevens, Best Actress Tatum O'Neal and Best Supporting Actress Penelope Ann Miller. See more »
In the end credits, the job title for Location Liaison Arlene Hostetler is misspelled "Location Liason," missing an "i" between the "a" and "s". See more »
Written by Paul Taylor
Performed by Todd Taylor See more »
I am usually very forgiving of B-grade films. I don't mind a good old- fashioned syrupy love story now and then, or some half-baked horror tale about a woman in some remote location fighting to save her family's haunted B&B . . . but this film . . . wow, I really can't forgive this one. It is so grossly manipulative, with all the subtlety of a sledgehammer, from the acting to the writing to the rainstorms of Biblical proportions. I didn't know if I was watching a Hallmark film, some silly Nickelodeon episode, or a cheap horror flick. The children are as cloying as marshmallow peeps (did no one work with these young actors, or did they just stuff them with cupcakes and candy and set them in front of the camera?). The adults--actors, director, and screen writer--didn't fare much better. I just felt bashed in the head at every turn--too much too much too much. (Towards the end of the film Penelope Miller has one of the most atrocious rain-soaked speeches I have ever seen.)
I did enjoy and appreciate Tatum O'Neal's performance. While I understand some of the harsh criticism regarding her portrayal of a severely emotionally disturbed woman, I found it to be heart breakingly realistic in the main. Of course she would drift around, half awake, half alive, twitchy and flaky and completely insecure. I actually felt sorry for this character. While I don't know how much of the story is entirely based on real events, surely placing Grace in her brother's home with his happy camper family, across the street from her former husband and his bubbly preggers wife, then given the glamorous job of sewing the baby's quilt and creating a mile-high lemon meringue pie of a ballgown for a 10 year old attending a military ball (a horrible and unnecessary story line, on several counts). . . I mean, if this is what her life has become, who wouldn't break out the sharp objects?
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