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Giallo (2009)

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In Italy, a woman fears her sister may have been kidnapped. Inspector Enzo Avolfi fears it's worse. They team up to rescue her from a sadistic killer known only as Yellow.

Director:

Dario Argento
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Adrien Brody ... Inspector Enzo Avolfi / Giallo (as Byron Deidra)
Emmanuelle Seigner ... Linda
Elsa Pataky ... Celine
Robert Miano ... Inspector Mori
Valentina Izumi ... Keiko (as Valentina Izumì)
Sato Oi Sato Oi ... Midori
Luis Molteni Luis Molteni ... Sal
Taiyo Yamanouchi Taiyo Yamanouchi ... Toshi
Daniela Fazzolari Daniela Fazzolari ... Sophia
Nicolò Morselli Nicolò Morselli ... Young Enzo
Giuseppe Lo Console Giuseppe Lo Console ... Butcher
Anna Varello Anna Varello ... Butcher's Wife
Franco Vercelli Franco Vercelli ... Cabbie
Lorenzo Pedrotti ... Delivery Boy
Farhad Re Farhad Re ... Designer
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Storyline

In Torino, Celine, an American model, is abducted by a taxi driver while en route home to meet her sister Linda, visiting at her apartment. The next morning, Linda reports that Celine is missing - the sergeant in charge directs her to F.B.I. agent Inspector Enzo Avolfi. He's from the Special New York City Department investigating a serial-killer that kidnaps foreigners to destroy their beauty. When a Japanese woman is found at nearby a fountain, Enzo and Linda find that the girl is calling the abductor's skin is "Yellow" in color and Linda concludes that the guy might have jaundice. They go to the Policlinic di Torino to find the killer. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

To Catch a Killer, You Must Think Like a Killer!.

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language, some sexual content, nudity and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MySpace | Official site [Japan]

Country:

USA | UK | Spain | Italy

Language:

English | Italian | Japanese

Release Date:

1 July 2011 (Italy) See more »

Also Known As:

Agria katadioxi See more »

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Box Office

Budget:

$14,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

There is one scene where Adrien Brody and Emmanuelle Seigner walk past a poster for Juno (2007). In there's a conversation Juno between Ellen Page and Jason Bateman where Page refers to Jason Bateman as the master of horror and references his film Suspiria (1977). See more »

Connections

References Juno (2007) See more »

Frequently Asked Questions

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User Reviews

 
Not as bad as I had heard.
4 October 2011 | by BA_HarrisonSee all my reviews

When the man responsible for some of the best giallos ever made directs a movie simply titled Giallo, then I suppose one might reasonably expect him to fully embrace the conventions of the genre (many of which he was instrumental in establishing). Instead, Argento only loosely follows the giallo format, the grimy approach he adopts being more akin to the recent US 'torture porn' trend, a fact that has unsurprisingly caused something of a critical backlash from fans of Italian horror.

But although Giallo clearly doesn't warrant its title, and, devoid of his usual visual flair and labyrinthine storytelling, is far from the director's best work, neither is it totally deserving of the drubbing it has received.

The film moves along briskly enough, switching regularly between crime and police procedure to ensure that boredom never sets in; the hero cop-with-a-dark-past, Enzo Avolfi, is played with conviction by Adrien Brody; Emmanuelle Seigner makes for a decent enough side-kick; the rather lovely Elsa Pataky is required only to look scared and beautiful, but does so convincingly; and the strangely familiar killer is delightfully daft—an ugly, dummy-sucking, bandana-wearing taxi-driver with yellow skin (caused by a dose of Hepatitis C, inherited from his junkie mother) and a hatred of all things beautiful.

Argento also finds time for a few seriously nasty moments, including a graphic hammer to the skull scene, a nasty bit of finger pruning (resulting in plenty of pumping blood), and a wince-inducing moment involving shards of broken glass.

Whilst it is true that Argento's typical sense of style might be lacking on this occasion, there is still enough to enjoy about this film to make it worth a go—after all, even Argento at his worst is better than many other directors at their best.


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