Cast overview, first billed only: | |||
Michael Shannon | ... | John Rosow | |
Frank Wood | ... | Harold Fullmer | |
Amy Ryan | ... | Miss Charley | |
Linda Emond | ... | Mrs. Fullmer | |
John Ventimiglia | ... | Hero | |
Margaret Colin | ... | Lana | |
Paul Sparks | ... | Gus Papitos | |
Yul Vazquez | ... | Don Edgar | |
Paul Adelstein | ... | Drexler Hewitt | |
Kate Arrington | ... | Jane Rosow | |
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Anthony Esposito | ... | Javier |
Liza Weil | ... | Agent Chambers | |
Daniel Franzese | ... | Agent Craig | |
Merritt Wever | ... | Mabel Page | |
Gary Wilmes | ... | L.A. Cop (Eric Jelin) |
Private detective John Rosow is hired to tail a man on a train from Chicago to Los Angeles. Rosow gradually uncovers the man's identity as a missing person; one of the thousands presumed dead after the 9/11 terrorist attacks on the World Trade Center. Persuaded by a large reward, Rosow is charged with bringing the missing person back to his wife in New York City. Written by Anonymous
Michael Shannon is one of the finest new character actors working in films today; his performance here as a private investigator from New York, hired to trail a middle-aged man from Chicago to Los Angeles by train, is the centerpiece of "The Missing Person"...and is very nearly the entire show. Writer-director Noah Buschel was probably hoping to modernize the old private eye clichés (including booze, broads, and blaring saxophones on the soundtrack), but his movie doesn't really start cooking for at least a quarter of an hour into the proceedings. Buschel's pacing is deliberately slow, and Shannon's John Rosow is intentionally beleaguered and burnt-out, yet there's no reason to be so poky with this narrative (even Bogie livened up earlier on one of his cases). The film is well-produced and shot, though it runs the risk of losing viewers before it starts to take shape. Once it does, it becomes a rather fascinating throwback, its scenario seesawing between the old and new--like Philip Marlowe in the cell-phone era. **1/2 from ****