The son of a computer programmer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was... Read allThe son of a computer programmer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.The son of a computer programmer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
- Nominated for 1 Oscar
- 10 wins & 52 nominations total
Lizzy Mathis
- Siren #4
- (as Elizabeth Mathis)
Summary
Reviewers say 'Tron: Legacy' is celebrated for its breathtaking visuals, innovative special effects, and immersive 3D experience. The Daft Punk soundtrack enhances the film's atmosphere, receiving widespread acclaim. However, the plot is criticized for being predictable, shallow, and clichéd. Characters are often seen as underdeveloped, and the narrative fails to match the visual grandeur. Disappointments arise from the original Tron character's portrayal and the father-son dynamic. Despite these issues, the film is appreciated for its nostalgic elements and universe expansion.
Featured reviews
This film is the best example of "style over substance", but wow, what substance. It has some of the best production design and soundtrack I have ever witnessed. Visually and aurally speaking, I would even call it a masterpiece. It is like no other techno-futuristic cyberspace I have ever seen depicted. However, it is let down by a dull main actor and an unpolished story that didn't fully convince me.
I actually wasn't expecting to enjoy TRON:Legacy, but coming from someone who is fond of the original 1982 film, I did. TRON:Legacy isn't a perfect movie though, then again neither was the original movie. The film thematically is deeper than the original, but there are some parts where it comes across as rather formulaic for my tastes. Also while the characters are likable, they aren't given that much depth, and again while the dialogue is intriguing at most some of it is weak and dare I say stilted.
That said, TRON:Legacy has a lot to redeem it. Jeff Bridges is great and Garett Hedlund is likable, but when it comes to the acting the film is stolen by a gleefully enjoyable Michael Sheen and a wonderfully edgy Olivia Wilde. The action sequences and chases are very exciting, and help keep the momentum of the pace and story going, and the soundtrack is just fantastic. But the real revelation is in the film's look. The film looks amazing and one of the most visually stylish films of the year- I just loved the cinematography and editing and the special effects and use of neons are outstanding.
In conclusion, a surprisingly enjoyable film that I wasn't expecting to like. 7/10 Bethany Cox
That said, TRON:Legacy has a lot to redeem it. Jeff Bridges is great and Garett Hedlund is likable, but when it comes to the acting the film is stolen by a gleefully enjoyable Michael Sheen and a wonderfully edgy Olivia Wilde. The action sequences and chases are very exciting, and help keep the momentum of the pace and story going, and the soundtrack is just fantastic. But the real revelation is in the film's look. The film looks amazing and one of the most visually stylish films of the year- I just loved the cinematography and editing and the special effects and use of neons are outstanding.
In conclusion, a surprisingly enjoyable film that I wasn't expecting to like. 7/10 Bethany Cox
Everything about this film works. The visuals, writing, acting, everything. There are very few wrong things I can find with Tron, especially the soundtrack which is timeless even almost a decade later. I still remember watching this film in theaters and not regretting it at all. I highly recommend this film for fans of anything quality.
From the pacing to the cinematography this film is astoundingly well made, and truly deserves more recognition. It is timeless in every meaning of the word.
From the pacing to the cinematography this film is astoundingly well made, and truly deserves more recognition. It is timeless in every meaning of the word.
Right off the bat I'm going to say that I didn't see the first film. Obviously I've heard from a lot of people saying that they need to see the first film before watching this one, seeing as this is a direct sequel to a nearly 30 year old cult sci-fi film. But, seeing that I didn't have time, I decided to watch the sequel anyway.
Now keep in mind that Disney took a HUGE risk in making a sequel to a movie that is not very often talked about when it comes to movies as opposed to many blockbusters today. The first TRON had no famous franchise to speak of (apart from the real games inspired by it). Adding to the danger is the film's budget - reportedly between US$ 200 - 300 million. With that kind of money you'll wonder what exactly was Disney hoping for with this film.
Nevermind the fact that the story is a bit unfocused and could be rounded up in a more polished way. Nevermind too that the fantastic world and great ideas aren't expanded upon some more, as well as the fact that the script could use a little bit more originality.
Also, not forgetting some good (in Jeff Bridges' case, great as always as he plays two very different characters with perfect emotional resonance - proving that he still has the chops to carry a big movie) performances by the cast - with Garrett Hedlund showing great leading man potential and Olivia Wilde looking great and cute to boot. Michael Sheen, Beau Garrett and Bruce Boxleitner (apparently returning to his role from the first film, so it seems) all give good support.
No sir-ee, what you pay for - and what you get in spades - are the special/visual effects. Goodness me, this is quite possibly the best special effects I've seen all year, and that's saying something. I have to admit though, the CGI that makes Jeff Bridges young look jarring, but that is overshadowed by the compelling, groundbreaking special/visual effects that really bring you into the cybernetic world. Who doesn't want to take a ride on one of those fantastic, futuristic vehicles? Who doesn't want those awesome light-cycles or one of those dueling/data discs? It is possible that, like "Avatar" a year ago, this film can be a game-changer for special/visual effects alone.
It's a real treat for the eyes, and it's even better in 3D which is splendidly used to flesh out the dimensions and graphics of the cyber world bring you even deeper into the world instead of things merely flying out to you and post-production conversion like in SO many 3D movies (Note that in the 3D version, there's a disclaimer before the film starts, saying that parts of the film are filmed in both natural 2D and 3D as they way they should be. Just so you know, this shows that the filmmakers care for what they want to give you).
Very ambitious architect-and-designer-turned-first-time-filmmaker Joseph Kosinski hit a home run with this film, crafting an extraordinary and spellbinding world of escapism that looks slick, stylish and extremely cool to watch. Kosinski and the production team fill the cyber world with heaps of imagination and the result is what you see on screen. And here I thought Hollywood would recycle certain design patterns (plot patterns still need work though). Kosinski is a truly visionary filmmaker that one really has to keep an eye on.
The production design is on par with the special effects, it is nothing short of spectacular and perfect. The cinematography which is big and wide and best of all NOT shaky allows you to savor every moment of SFX goodness. The superb sound effects serve to complement the visuals and the electronic world, and all for the better. Daft Punk's varying but atmospheric electronic/orchestral score all but suits the film's mood perfectly with its techno beats and soaring string during moments.
Overall, this is perhaps a fine way to end the blockbuster season of 2010, and this is a definite must watch for all looking for an escape. The special effects alone are worth the price of TWO movie tickets, and with that I say, give this one a try, even if you haven't seen the first one. It aims to entertain and to dazzle the audience, and it succeeds brilliantly. Excuse me while I rent the first one now.
Overall rating: 75/100
Now keep in mind that Disney took a HUGE risk in making a sequel to a movie that is not very often talked about when it comes to movies as opposed to many blockbusters today. The first TRON had no famous franchise to speak of (apart from the real games inspired by it). Adding to the danger is the film's budget - reportedly between US$ 200 - 300 million. With that kind of money you'll wonder what exactly was Disney hoping for with this film.
Nevermind the fact that the story is a bit unfocused and could be rounded up in a more polished way. Nevermind too that the fantastic world and great ideas aren't expanded upon some more, as well as the fact that the script could use a little bit more originality.
Also, not forgetting some good (in Jeff Bridges' case, great as always as he plays two very different characters with perfect emotional resonance - proving that he still has the chops to carry a big movie) performances by the cast - with Garrett Hedlund showing great leading man potential and Olivia Wilde looking great and cute to boot. Michael Sheen, Beau Garrett and Bruce Boxleitner (apparently returning to his role from the first film, so it seems) all give good support.
No sir-ee, what you pay for - and what you get in spades - are the special/visual effects. Goodness me, this is quite possibly the best special effects I've seen all year, and that's saying something. I have to admit though, the CGI that makes Jeff Bridges young look jarring, but that is overshadowed by the compelling, groundbreaking special/visual effects that really bring you into the cybernetic world. Who doesn't want to take a ride on one of those fantastic, futuristic vehicles? Who doesn't want those awesome light-cycles or one of those dueling/data discs? It is possible that, like "Avatar" a year ago, this film can be a game-changer for special/visual effects alone.
It's a real treat for the eyes, and it's even better in 3D which is splendidly used to flesh out the dimensions and graphics of the cyber world bring you even deeper into the world instead of things merely flying out to you and post-production conversion like in SO many 3D movies (Note that in the 3D version, there's a disclaimer before the film starts, saying that parts of the film are filmed in both natural 2D and 3D as they way they should be. Just so you know, this shows that the filmmakers care for what they want to give you).
Very ambitious architect-and-designer-turned-first-time-filmmaker Joseph Kosinski hit a home run with this film, crafting an extraordinary and spellbinding world of escapism that looks slick, stylish and extremely cool to watch. Kosinski and the production team fill the cyber world with heaps of imagination and the result is what you see on screen. And here I thought Hollywood would recycle certain design patterns (plot patterns still need work though). Kosinski is a truly visionary filmmaker that one really has to keep an eye on.
The production design is on par with the special effects, it is nothing short of spectacular and perfect. The cinematography which is big and wide and best of all NOT shaky allows you to savor every moment of SFX goodness. The superb sound effects serve to complement the visuals and the electronic world, and all for the better. Daft Punk's varying but atmospheric electronic/orchestral score all but suits the film's mood perfectly with its techno beats and soaring string during moments.
Overall, this is perhaps a fine way to end the blockbuster season of 2010, and this is a definite must watch for all looking for an escape. The special effects alone are worth the price of TWO movie tickets, and with that I say, give this one a try, even if you haven't seen the first one. It aims to entertain and to dazzle the audience, and it succeeds brilliantly. Excuse me while I rent the first one now.
Overall rating: 75/100
It's not highly likely to win many new converts, but for those who already like the original and want to see more of that world, it more than satisfies. The visuals are a wonderful evolution from Tron and the story of a father and son who have to make up for lost time is very touching. The CGI face they developed for Jeff Bridges is not perfect, but it works very well with just a few exceptions and I feel, for my own tastes, that they have actually bridged the uncanny valley with this one. Still a bit of work to get it perfect, but this one works as it is. Oh, and the score by Daft Punk is beautiful. The first thing my brother and I did after leaving the theater was buy the sound track on the way home. It's very suggestive of the original but with plenty of today's newer sensibilities mixed in.
Storyline
Did you know
- TriviaThe crowd voices during the disk battle in the beginning of the movie are actually the voices of the audience during the panel for the film at the 2010 San Diego Comic-Con. The audience was instructed to stomp and chant to prompts shown on the large video screen, and the sound was recorded by techs from Skywalker Sound.
- GoofsFlynn's Arcade was supposedly locked up when Kevin Flynn disappeared in 1989. However when Sam is walking through the arcade, one of the machines is Mortal Kombat (1992) which was not released until 1992.
- Quotes
Kevin Flynn: Bio-digital jazz, man.
- Crazy creditsAt the beginning of the movie, the title only says "TRON". Not until during the ending credits does the name "Legacy" get included in the title when it reappears.
- ConnectionsEdited from The Phoenix Portal (2005)
- SoundtracksSeparate Ways
Written by Steve Perry and Jonathan Cain
Performed by Journey
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Tron: El legado
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $170,000,000 (estimated)
- Gross US & Canada
- $172,062,763
- Opening weekend US & Canada
- $44,026,211
- Dec 19, 2010
- Gross worldwide
- $409,912,892
- Runtime2 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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