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24 City

Original title: Er shi si cheng ji
  • 2008
  • Not Rated
  • 1h 52m
IMDb RATING
7.1/10
2.3K
YOUR RATING
24 City (2008)
DocumentaryDrama

When a factory is being torn down in Chengdu, China, workers reflect on their experiences and the importance of the factory in their lives.When a factory is being torn down in Chengdu, China, workers reflect on their experiences and the importance of the factory in their lives.When a factory is being torn down in Chengdu, China, workers reflect on their experiences and the importance of the factory in their lives.

  • Director
    • Zhangke Jia
  • Writers
    • Zhangke Jia
    • Yongming Zhai
  • Stars
    • Jianbin Chen
    • Joan Chen
    • Liping Lü
  • See production, box office & company info
  • IMDb RATING
    7.1/10
    2.3K
    YOUR RATING
    • Director
      • Zhangke Jia
    • Writers
      • Zhangke Jia
      • Yongming Zhai
    • Stars
      • Jianbin Chen
      • Joan Chen
      • Liping Lü
    • 15User reviews
    • 59Critic reviews
    • 75Metascore
  • See production, box office & company info
  • See more at IMDbPro
    • Awards
      • 1 win & 6 nominations

    Photos66

    Tao Zhao in 24 City (2008)
    Liping Lü in 24 City (2008)
    Joan Chen in 24 City (2008)
    24 City (2008)
    Joan Chen in 24 City (2008)
    24 City (2008)
    Joan Chen in 24 City (2008)
    24 City (2008)
    24 City (2008)
    24 City (2008)
    Tao Zhao in 24 City (2008)
    24 City (2008)

    Top cast

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    Jianbin Chen
    Jianbin Chen
    Joan Chen
    Joan Chen
    • Gu Minhua…
    Liping Lü
    Liping Lü
    • Hao Dali
    Tao Zhao
    Tao Zhao
    • Su Na
    • Director
      • Zhangke Jia
    • Writers
      • Zhangke Jia
      • Yongming Zhai
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

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    Did you know

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    • Trivia
      During a press conference at the 61st Cannes Film Festival for the film, Zhangke Jia, Joan Chen and Tao Zhao observed a minute of silence in memory of the victims of the 2008 devastating earthquake in China. The film was shot in Chengdu, in Sichuan province where the earthquake struck.
    • Connections
      Featured in Ebert Presents: At the Movies: Episode #2.15 (2011)
    • Soundtracks
      Where's the Future
      Lyrics by Lim Giong

      Composed by Lim Giong

      Performed by Lim Giong

    User reviews15

    Review
    Review
    Featured review
    6/10
    Living For The City
    Zhang Ke Jai has(at least to me) grown substantially since "The World", able to leave some of the melodrama behind and let his characters and the landscapes speak for themselves. "24 City" is a beautiful film, both relevant and moving in the ways "Up In The Air" wishes it were.

    A factory in Chengdu, China that has been in operation for generations is being closed down to make room for a upscale high rise apartment building called "24 City" ironically named after a poem about harmony. We follow a series of interviews with former factory workers about their lives in and around the factory.Some of the interviews could have been shortened or illustrated visually instead of having us just watching talking heads speaking over silence, but that is my personal preference.

    It could be argued, by not re-creating their lives Jai gives his subjects a sense of dignity, and creates an intimacy between them and the viewer that would be otherwise lost. For the most part I would agree, though in honesty, I did get anxious more than a few times during some of these discussions. Jai's subjects at first seemed to be almost rambling inconsequentially, but as the film goes on, their statements become enmeshed in each other and the film as a whole, and intricately articulate how the factory for generations was their entire world, romantically, socially, philosophically, and culturally.

    Some of the workers had their first fights there, their first loves, some moved their whole families on the promise of work, while others left their families behind, and suddenly this community which has sustained them all this time has disappeared, moved by forces beyond their control. Part of the film is documentary, but some of the interviews are "fictional" and feature actors.

    I had trouble telling the difference between those who were actors and who were actual workers, but the mixture between the authentic and the dramatic only serves to highlight the contrast between the promise of worker's solidarity and justice and the realities of changing economic priorities. Jai's "The World" offered us the best metaphor for the globalized melancholic that I've yet to see, that of an amusement park masquerading as the greatest architectural achievements of humanity, while those who toil in it are increasingly alienated from any sense of "authentic" culture, themselves, and each other. That film itself, however was not as compelling as it's ideas.

    In many ways "24 City" and so I am told Jai's similar, "Still Life" continue this series on the changing face of China, and the "real" people caught up in this global gentrification. What made me look at "24 City" as something other than just a clever polemic was a baffling scene of a girl skating to a soft, bubbly, trance like electronic song. The girl skates in circles, and the music plays and we just observe her, and the song continues, as the camera floats off looking across the city and the mammoth building rising up into the skyline. I don't know what if any purpose this scene had to the rest of the film, but it was lovely. Equally startling were the huge crowds of workers, by the hundreds in the film's first scenes, that are as overwhelming as the CG throngs of countless soldiers and orcs from "The Lord Of The Rings" epic battle-scapes. In those moments Zhang makes his cinematic eye, rival and better his(at least for me)binding interest in social realism.

    Realism especially of the socially progressive variety is not my cup of tea (to put a borderline pathological aversion mildly), but "24 City" made, if not a believer, than a fascinated viewer out of me. If globalization has to be "hot button" of contemporary art, if there must be sad-sack post-modernist which stylistically bite the hands that feed them, if the classical Marxist themes of alienation, class, and gentrification must persist on into the next decade, we could all do worse than to see them filtered through Zhang's warm humanism (another term I would usually avoid).

    It's not a thrill a minute, and there is no George Clooney smirking to enjoy, but "24 City" is rewarding, intimate, and oddly sensual, which few politicized movies, and even fewer documentaries, seem capable of doing these days. This is the first Jai I enjoyed, and makes me interested to visit the rest of the oeuvre.
    helpful•5
    1
    • loganx-2
    • May 9, 2010

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    Details

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    • Release date
      • March 6, 2009 (China)
    • Countries of origin
      • China
      • Hong Kong
      • Japan
    • Official sites
      • Ad Vitam (France)
      • Official site (Japan)
    • Languages
      • Mandarin
      • Shanghainese
    • Also known as
      • 二十四城記
    • Filming locations
      • China
    • Production companies
      • Bandai Visual Company
      • Bitters End
      • China Resources
    • See more company credits at IMDbPro

    Box office

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    • Gross US & Canada
      • $30,800
    • Opening weekend US & Canada
      • $6,082
      • Jun 7, 2009
    • Gross worldwide
      • $402,917
    See detailed box office info on IMDbPro

    Technical specs

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    • Runtime
      1 hour 52 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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