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Academy Picks Producer Donna Gigliotti in Hopes of Reviving Viewership for 2019 Oscar Show

Academy Picks Producer Donna Gigliotti in Hopes of Reviving Viewership for 2019 Oscar Show
For the upcoming 91st Oscar telecast, after all the noise about the worst ratings in history, the Academy had to replace producers Michael DeLuca and Jennifer Todd. The duo did well enough their first time around (the Best Picture snafu was not their fault) to warrant returning their second, and put on a decent show within the usual constraints of a ceremony that must showcase 24 award winners.

For Oscars 2019, new producer Donna Gigliotti, who won an Oscar for Miramax’s surprise winner “Shakespeare in Love” in 1999, will pioneer new Academy rules allowing several of the tech Oscars to be handed out during the commercial break and then edited into the live show. (No one will miss their time in the spotlight; there will be a lot less walking.)

New Yorker Gigliotti will work closely with co-producer Glenn Weiss, who will also direct. If he looks familiar, he’s the unflappable
See full article at Thompson on Hollywood »

Academy Picks Producer Donna Gigliotti in Hopes of Reviving Viewership for 2019 Oscar Show

Academy Picks Producer Donna Gigliotti in Hopes of Reviving Viewership for 2019 Oscar Show
For the upcoming 91st Oscar telecast, after all the noise about the worst ratings in history, the Academy had to replace producers Michael DeLuca and Jennifer Todd. The duo did well enough their first time around (the Best Picture snafu was not their fault) to warrant returning their second, and put on a decent show within the usual constraints of a ceremony that must showcase 24 award winners.

For Oscars 2019, new producer Donna Gigliotti, who won an Oscar for Miramax’s surprise winner “Shakespeare in Love” in 1999, will pioneer new Academy rules allowing several of the tech Oscars to be handed out during the commercial break and then edited into the live show. (No one will miss their time in the spotlight; there will be a lot less walking.)

New Yorker Gigliotti will work closely with co-producer Glenn Weiss, who will also direct. If he looks familiar, he’s the unflappable
See full article at Indiewire »

Oscars: Donna Gigliotti, Glenn Weiss to Produce Telecast

  • Variety
Oscars: Donna Gigliotti, Glenn Weiss to Produce Telecast
Donna Gigliotti will produce the 91st Oscars telecast, with Glenn Weiss co-producing and directing the show.

The Academy Awards will air live on ABC on Feb. 24, 2019, from Hollywood’s Dolby Theatre at Hollywood & Highland Center.

“Donna and Glenn will infuse new energy and vision into this 91st awards presentation, and we are excited about a broad-based creative relationship with these two artists,” Academy president John Bailey said on Monday.

Gigliotti won a best picture Academy Award as one of the producers of 1998’s “Shakespeare in Love.” She’s been nominated in the category for “The Reader,” “Silver Linings Playbook,” and “Hidden Figures.” Her other producing credits include “Beasts of No Nation,” “Two Lovers,” “The Good Night,” and “Emma.”

Weiss has directed the last three Oscar broadcasts, winning Emmys for outstanding directing for a variety special for the 2017 and 2018 shows. He’s won a total of 14 Emmys (including for his work
See full article at Variety »

Gwyneth Paltrow movies: 12 greatest films, ranked worst to best, include ‘Shakespeare in Love,’ ‘Proof,’ ‘The Royal Tenenbaums’

  • Gold Derby
Gwyneth Paltrow movies: 12 greatest films, ranked worst to best, include ‘Shakespeare in Love,’ ‘Proof,’ ‘The Royal Tenenbaums’
Happy 46th birthday to Oscar-winning actress, food writer, businesswoman and singer Gwyneth Paltrow! She is the daughter of the late esteemed TV producer Bruce Paltrow (“St. Elsewhere) and the Emmy and Tony-winning actress Blythe Danner. But Gwyneth was determined to carve out her own path in life and that she certainly has achieved in the movies.

Paltrow starred in the 1998 surprise Best Picture winner “Shakespeare in Love,” for which she won the Academy Award as Best Actress. She also earned a Golden Globe Award and two Screen Actors Guild Awards (for Best Actress and Best Ensemble) for that performance. She also picked up a second Globe nomination for her work playing a mathematician in 2005’s “Proof.”

Paltrow has gone on to create the successful lifestyle magazine Goop and has become a highly-respected writer on the food scene. In honor of this multi-talented lady on her big day, let’s
See full article at Gold Derby »

Joaquin Phoenix Has Multiple Oscar Opportunities in 2018, If He Can Cheer up for the Press

Joaquin Phoenix Has Multiple Oscar Opportunities in 2018, If He Can Cheer up for the Press
Press-loathing actor Joaquin Phoenix, star of Lynne Ramsey’s “You Were Never Really Here,” is still in recovery. Yes, from alcohol back in the day, but also from that disastrous period when he and then-brother-in-law Casey Affleck “thought it was funny,” as he told NPR’s Terry Gross, to film the bizarre 2010 mockumentary “I’m Still Here.” Throughout filming, Phoenix remained in (scripted) character as a strangely unhinged version of himself, overweight, hirsute, and out of control, including his 2009 “Late Show with David Letterman” appearance where he announced his acting retirement — in order to be a hip-hop artist.

The movie underscored Phoenix’s ambivalent relationship to his own celebrity and his lack of concern for public perceptions. However, it turned out that he may have overstated his case. Phoenix had no idea how much the film would impact his ability to get work. (HIs director is still dealing with the
See full article at Thompson on Hollywood »

Joaquin Phoenix Has Multiple Oscar Opportunities in 2018, If He Can Cheer up for the Press

Joaquin Phoenix Has Multiple Oscar Opportunities in 2018, If He Can Cheer up for the Press
Press-loathing actor Joaquin Phoenix, star of Lynne Ramsey’s “You Were Never Really Here,” is still in recovery. Yes, from alcohol back in the day, but also from that disastrous period when he and then-brother-in-law Casey Affleck “thought it was funny,” as he told NPR’s Terry Gross, to film the bizarre 2010 mockumentary “I’m Still Here.” Throughout filming, Phoenix remained in (scripted) character as a strangely unhinged version of himself, overweight, hirsute, and out of control, including his 2009 “Late Show with David Letterman” appearance where he announced his acting retirement — in order to be a hip-hop artist.

The movie underscored Phoenix’s ambivalent relationship to his own celebrity and his lack of concern for public perceptions. However, it turned out that he may have overstated his case. Phoenix had no idea how much the film would impact his ability to get work. (HIs director is still dealing with the
See full article at Indiewire »

Lynne Ramsay: ‘I Found My Soulmate in Making Movies’ With Joaquin Phoenix

Lynne Ramsay: ‘I Found My Soulmate in Making Movies’ With Joaquin Phoenix
With names like Lynne Ramsay, Joaquin Phoenix, and Jonny Greenwood involved, Amazon’s “You Were Never Really Here” is easily one of the most anticipated indie films of the spring movie season. The crime thriller earned rave reviews at the Cannes Film Festival last year, where it won Ramsay a prize for screenwriting and Phoenix the festival’s Best Actor trophy.

“He’s amazing,” Ramsay tells Esquire of Phoenix in a new profile. “I found my soulmate in making movies.”

Ramsay and Phoenix didn’t meet for the first time until the actor showed up to shoot. The production lasted only 29 days in Brooklyn, New York and included Ramsay rewriting the script as they went along and Phoenix improvising as much as he wanted. Ramsay refers to the film shoot as a “creative storm.”

“Neither of us are very verbal,” Phoenix says of his relationship with Ramsay. “We don’t
See full article at Indiewire »

Review: Scott Bound—Ridley Scott’s "All the Money in the World"

  • MUBI
A few years ago, I was on the periphery of a group of critics who made much of its love for the work of Tony Scott. After he died, the revaluation of his films became a noble pursuit, a form of tribute to a man we thought would be working for at least another decade but who had vanished one day without warning. An extensive series of articles, each of which exuded a sincere love of Tony’s wild, plastic cinema, were published here on the Notebook. I haven’t revisited many of Scott’s films since then; my priorities have shifted, and I look elsewhere for inspiration. Still, part of the appeal of somebody like Tony Scott—who, we maintained, was a bad-taste artist hiding in plain sight—was that you would, in the course of spending the holidays at your parents’ house, say, catch a glimpse of his movies on television.
See full article at MUBI »

The Last Word on ‘The Lost City of Z’

I think I’m finally beginning to understand James Gray‘s aesthetic with ‘The Lost City of Z‘. His classic nature, his fascination with these over-arching narratives. The first film of his that I saw was technically ‘We Own the Night‘ a forgettable but classic-in-approach New York City cop drama. I wasn’t much of a fan, and never quite got his appeal after that. He then did the interesting romantic-comedy-drama ‘Two Lovers‘ with Joaquin Phoenix and Gwyneth Paltrow, which I liked a little more, but frankly, I mostly remember that movie now ’cause of it’s involvement in Joaquin Phoenix’s off-field actions as he was doing his crazed Andy Kaufman-esque performance art piece and trying to become a rapper-thing during the promotion of that film. I know some who really enjoyed it; I thought it was okay, but not special. Before that run, Gray had only two movies in the previous 12 years,
See full article at Age of the Nerd »

Common Talks Mentoring Filmmakers: 'One of My Biggest Rewards Is to Help Other Visionaries’ (Exclusive)

Common Talks Mentoring Filmmakers: 'One of My Biggest Rewards Is to Help Other Visionaries’ (Exclusive)
Common has found the reward in paying it forward.

Et caught up with the Oscar-winning rapper and actor during At&T’s Hello Lab Mentorship film event at the Hammer Museum in Los Angeles, California, last Friday, where he dished on helping "visionaries and artists be heard."

“I think one of my biggest rewards is to help other visionaries and artists be heard, to give them opportunities and platforms,” he told Et. “That’s been some of the most fulfilling things that I’ve been able to do in my life.”

At&T’s Hello Lab linked aspiring filmmakers Gabrielle Shepherd, Matthew Castellanos, Neil Paik, Sara Shaw, and Nefertiti Nguvbu with entertainment industry mentors including Common, Octavia Spencer, Dope director Rick Famuyima, Fruitvale producer Nina Yang Bongiovi and actress-director Desiree Akhavan.

The night’s event debuted five never-before-seen short films helmed by the mentees, all of whom hail from diverse backgrounds. The films, Candid
See full article at Entertainment Tonight »

Film Critics Pick the Most Underrated Movies of 2017 — IndieWire Critics Survey

  • Indiewire
Film Critics Pick the Most Underrated Movies of 2017 — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: What is the most overlooked and/or underrated movie of 2017?

E. Oliver Whitney, Screencrush.com, @cinemabite

Despite the critical praise, “A Fantastic Woman” only a one-week qualifying run last month, and I worry is it’ll easily be forgotten this awards season. Daniela Vega gives one of the most astounding performances I’ve seen this year, one that comes from somewhere fierce and internal, portraying the life and struggle of a trans woman that cinema has rarely shown an interest in exploring. But since you can’t see it until it has a proper release in Febraury, do check one of the year’s other
See full article at Indiewire »

Robert Pattinson on Picking Under-the-Radar Directors and Why Claire Denis is the Most ‘Authentic Punk’ He’s Ever Met

Robert Pattinson on Picking Under-the-Radar Directors and Why Claire Denis is the Most ‘Authentic Punk’ He’s Ever Met
It’s not unusual for actors after they’ve become movie stars to use their clout to make their passion projects or work with directors they admire. What makes Robert Pattinson’s post-“Twilight” career choices so fascinating is he hasn’t reached for A-List directors, studio projects with an awards pedigree, or personal pet projects he’s determined to shepherd. Instead, he’s sought out celebrated directors whose work is slightly below-the-radar and outside the mainstream of American cinema.

“I really like the hunt,” said Pattinson in an interview with IndieWire when he was at the Savannah Film Festival receiving a Maverick Award. “I like finding directors who haven’t been fully realized by the wider world yet.”

In the case of the Josh and Benny Safdie, who directed Pattinson in “Good Time,” Pattinson saw an image from their previous film on IndieWire that caught his attention. “As soon
See full article at Indiewire »

Horror Channel FrightFest announces Short Film Showcase

Simon Brew Aug 10, 2017

26 short genre films are heading to London at the end of the month - and we've got the full list here...

One of the many treats – well, 26 of the many treats – awaiting attendees of Horror Channel FrightFest in London at the end of the month is the short film showcase, that’s just been announced.

Across three days, 26 short genre movies will be screened, including 12 from the UK. Den Of Geek alumnus James Moran’s Blood Shed, starring Shaun Dooley, Sally Phillips and a garden shed, is screening. As is Katie Bonham’s Mab, Sean Healy’s Judgement and Stefano Nurro’s Hum.

The full line up is at the bottom of this post. Meanwhile, if you’re after tickets, Horror Channel FrightFest runs from 24th to the 28th of August in London. You can buy single tickets and passes here: http://www.frightfest.co.uk/tickets.
See full article at Den of Geek »

Win Robert Pattinson/ Charlie Hunnam Starrer ‘The Lost City Of Z’ On Blu-Ray

Based on author David Grann’s non-fiction bestseller, The Lost City Of Z is the incredible true story of pioneering British explorer Percy Fawcett, who journeys into the Amazon at the dawn of the 20th century. Starring Charlie Hunnam (Pacific Rim, Sons of Anarchy, King Arthur: Legend of the Sword) in the titular role, The Lost City Of Z comes to Est on 17th July and on Blu-ray and DVD on 24th July 2017, through Studiocanal, and we have three copies of the film to give away on Blu-ray.

Despite being ridiculed by the scientific establishment who regard indigenous populations as savages, the determined Percy Fawcett returns time and again to his beloved jungle; discovering evidence of a previously unknown, advanced civilization that may have once inhabited the region in an attempt to prove his case. Supported by his devoted wife (Sienna MillerFoxcatcher, High-Rise), son (Tom HollandThe Impossible, Spider-Man: Homecoming,
See full article at The Hollywood News »

Horror Channel FrightFest’s short film line-up announced

With twenty-six films over three days, including ten World, four European and seven UK premieres, Horror Channel FrightFest’s short film showcase unleashes this year’s eclectic mix of the bold, brave, bloody and barmy with films programmed to entertain, frighten, enlighten and simply amaze.

From the press release:

There are twelve films from the United Kingdom, forming the centerpiece of this year’s line-up. These include James Moran’s Blood Shed, starring Shaun Dooley and Sally Phillips, where a man’s love of his garden shed takes a rather murderous turn. In Judgement, Neil Maskell stars as a single man looking for love in all the wrong places and Laurence R. Harvey shines as a mutated children’s’ toy in Teddy Bear’S Picnic. Then there’s Katie Bonham’s Mab, about a girl who turns to witchcraft to teach someone a lesson.

The other home-grown offerings see people
See full article at Blogomatic3000 »

ICM Partners grows independent group with Kristen Konvitz hire

  • ScreenDaily
New arrival worked at Stay Gold, Wild Bunch, The Weinstein Company

ICM Partners on Monday announced the hire of Kristen Konvitz at the agency’s independent and international film department.

Konvitz, who most recently served as head of production at Stay Gold Features, will be based in the Los Angeles office and reports to department head Jessica Lacy.

At Stay Gold Features, Konvitz was involved in Sundance breakout Patti Cake$ that sold to Fox Searchlight, as well as A24’s upcoming Under The Silver Lake from David Robert Mitchell, and SXSW award winner The Strange Ones.

The hire comes as Lacy’s division enjoys a purple patch, having recently sold Cannes Director’s Fortnight hit The Florida Project to A24, Cory Finley’s Sundance selection Thoroughbred to Focus Features, and Charlie McDowell’s The Discovery to Netflix.

“Our department is in the midst of a banner year, and we want to continue to grow our team with
See full article at ScreenDaily »

Brad Pitt and Tommy Lee Jones Team for Sci-Fi Drama Ad Astra

Brad Pitt and Tommy Lee Jones Team for Sci-Fi Drama Ad Astra
His long-gestating sequel World War Z finally back on the right track with David Fincher now confirmed to direct, Brad Pitt has also lined up another project that will shoot first. Brad Pitt has signed on to star alongside Tommy Lee Jones in a new sci-fi thriller called Ad Astra, which is Latin for "to the stars." Production is already slated to begin this coming September, with director James Grey at the helm. The filmmaker is comig off his recent film The Lost City of Z, which debuted in theaters this spring.

Deadline reports that Brad Pitt will portray Roy McBride, a "slightly autistic" space engineer, whose father disappeared 20 years ago after embarking on a one-way mission to Neptune, to find signs of intelligent life. Roy sets off on a mission of his own into outer space to find out why his father's mission failed. Tommmy Lee Jones will play the father,
See full article at MovieWeb »

It was Brad Pitt who invited...

Produced by Brad Pitt's production house Plan B, The Lost City of Z is based on author David Grann's nonfiction bestseller by the same name. The film is about the incredible true story of British explorer Percy Fawcett's adventures in the Amazon.

 

Starring Sienna Miller (of the American Snipper and G.IJoe: The rise of Cobra fame), Robert Pattinson (of the Twilight Saga fame) and Charlie Hunnam (of the Pacific Rim fame and who'll be soon seen in King Arthur: Legend of the Sword), the film is directed by James Gray (of The Yards and Two Lovers fame)

 

It...
See full article at Behindwoods »

The Lost City of Z movie review: archaeology was his religion

MaryAnn’s quick take… An adventure of the intellect and of the heart with the real-life explorer who inspired Indiana Jones, one more about the journey than the destination. I’m “biast” (pro): love a good adventure; love director James Gray

I’m “biast” (con): nothing

I have not read the source material

(what is this about? see my critic’s minifesto)

He was a real-life Indiana Jones. Literally: the Harrison Ford character was based on British explorer Percy Fawcett, one of the last of those intrepid men (always men, of course) to boldly venture into uncharted (by white people, that is) territory in search of knowledge, and to fill in the blank spaces on the maps. A cartographer and archaeologist, he was obsessed with the idea that remnants of a lost dead civilization were hidden in the Amazonian jungles, and he disappeared — along with his traveling companion,
See full article at FlickFilosopher »

James Gray on the Financial Realities of Independent Filmmaking: ‘I Am Struggling Financially’

James Gray on the Financial Realities of Independent Filmmaking: ‘I Am Struggling Financially’
James Gray is back in theaters with “The Lost City of Z,” a film at once markedly different from and right at home among the rest of his distinguished body of work. The “We Own the Night,” “Two Lovers” and “The Immigrant” director has spoken with Vulture about the financial realities of independent filmmaking, offering a number of candid — and sobering — statements: “You know, people assume that because I’m a director, I make tons of money. I am struggling financially,” he said.

Read More: How Can Middle-Class Filmmakers Make a Living?

“Now, I’m very lucky I get to do what it is I want to do,” Gray continued. “I’ve made, good or bad, very uncompromising movies, the movies exactly that I wanted to make, and that’s a beautiful gift, so I’m not complaining about that. But I struggle. I have a hard time paying my bills.
See full article at Indiewire »
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