On 16 January 1944, a reconnaissance pilot survives a plane crash in Delahaut in the Nazi occupied Belgium. The boy Jean Benoit finds the wounded pilot and brings him to the house of Claire... See full summary »
Michael Gavin and his partner Daniel trade the rat race of New York City for the idyllic charm of the Connecticut shoreline, with hopes of a simpler life and time for Michael to finish his ... See full summary »
Jason Butler Harner,
A seasoned senior enlisted special operations (spec ops) United States Marine is wounded during combat operations in Iraq. He is retired from the Marine Corps and visits a friend on a ranch... See full summary »
Autumn 1947: Elisha, a young Jew, learns that he has been chosen to kill the hostage John Dawson, a captain in the British Army occupying Palestine. Will Elisha, himself a survivor of the holocaust, be able to commit this irrevocable act?
A beautiful young dentist (Ormond) working in a tough British prison starts to become attracted to a violent inmate (Roth) after the break-up of her marriage, and embarks upon an illicit ... See full summary »
The first female US President Sally Sheridan is shot dead by a sniper during her Veterans Day speech. Her assassin narrowly escapes the scene with his life, national security hot on his ... See full summary »
Tale of a father who struggles to bond with his estranged son Gabriel, after Gabriel suffers from a brain tumor that prevents him from forming new memories. With Gabriel unable to shed the ... See full summary »
Lou Taylor Pucci,
Janet Gregory, a single mother with a haunting past, is a paralegal struggling to overcome doubts about Calvin Willis, an African-American husband and father wrongfully accused of raping a ... See full summary »
Two FBI agents attempt to clarify the murders occurring in a desolate region. They approach the witnesses of the latest incident with the help of the local police. All of them hide something and all have wildly different stories to tell.
The 'conjuration' in the title refers to a real event: the political assassination in Madrid of a high-ranking official in the Spanish court in 1578. A plaque marks the spot today in the exact corner of the street where it happened.
The script begins with the scene of the murder and then takes us back to recount the events leading up to it. There are many characters involved, and although at the beginning it is not clear why we are being introduced to so many, eventually they all find a reason for being there, from a priest who ends up a the centre of the investigation, to a young 'morisca', a half-Moorish girl who is plucked from the streets to serve in a rich house.
The film is not very imaginatively shot and some of the expository dialogue is quite clumsy: some actors seem to be there just to summarise in words what the atmosphere at the time was, which is always a pitfall in historical films. Many actors means many lines of dialogue and this film -not short, about two hours and a quarter long- is full of conversations, often stilted and stagy. There's a lot of standing upright with broody brows with the purpose of looking imposing and serious, in bunches around the king or other important characters. It is not a slow film, however, but it's not a swashbuckler either. In fact, the one time when we are given a good old sword-fight, it goes so lamely clichéd, with stalls of fruit and ceramic bowls being turned upside down in a street market and a couple of unrealistic fight moves, that it feels utterly wrong.
In its favour, the costumes are great and many scenes are shot at El Escorial itself, the palace-cum-monastery where king Phillip II pored over the business of governing the world's leading superpower. Some of the actors are quite good in their roles, and this despite a cast mixing Spanish and foreign stars. I would single out for praise Julia Ormond, who looks not a day younger than her 43 years old. With her ageing beauty, she brings alive one of the most fascinating characters of her time, the eyepatch-wearing princess of Eboli. Joaquim de Almeida is also very good as the vigorous secretary Juan de Escobedo, acting his scenes with much-needed energy. It is a pity, though, that the role of Jason Isaacs, Antonio Pérez, fizzles out somewhat towards the end, when he should be one of the most memorable characters, according to the real story. Juanjo Puigcorbé plays a more ironic and even affable Phillip than the sombre and adust quasi-monk we have seen in other portrayals. And I personally took a liking to Jürgen Prochnow's character, a local 'alguacil' (sheriff) who becomes involved in the matter both through his job and his private life.
The question at the heart of the film is: did King Phillip II order the dismissal of one of his own officials? This has been much debated by historians, and the evidence is not conclusive. It may have been in his favour because of political rivalries, but the public backlash would have been uncomfortable (as it in fact was), even for a monarch as self-assured and with so great a grip on power as he happened to be. This matter is one of the central charges against him laid out by the so-called 'Leyenda negra' (Black legend), with which other European rulers and political enemies sought to discredit him in public, in particular in the Netherlands and Britain. Whether the film takes a stance on it or not, you will have to see it.
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