6.9/10
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Fifty Dead Men Walking (2008)

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Martin McGartland joins the I.R.A. and feeds information to Britain's Special Branch Agent Fergus.

Director:

Kari Skogland

Writers:

Martin McGartland (inspired by the book "Fifty Dead Man Walking"), Nicholas Davies (inspired by the book "Fifty Dead Man Walking") | 1 more credit »
7 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Kingsley ... Fergus
Jim Sturgess ... Martin
Kevin Zegers ... Sean
Natalie Press ... Lara
Rose McGowan ... Grace
Tom Collins Tom Collins ... Mickey
William Houston ... Ray
Michael McElhatton ... Robbie
Laura Hughes Laura Hughes ... Mary
Gerard Jordan ... Kieran
David Pearse ... Donovan
Joe Doyle Joe Doyle ... Quinn
Conor MacNeill ... Frankie (as Connor McNeill)
Evan Harte Evan Harte ... Little Patrick (as Evan)
Oscar Harte Oscar Harte ... Little Patrick
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Storyline

Based on Martin McGartland's shocking real life story. Martin is a young lad from west Belfast in the late 1980s who is recruited by the British Police to spy on the IRA. He works his way up the ranks as a volunteer for the IRA whilst feeding information to his British handler and saving lives in the process. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

When you cross the line there's no going back.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal violence and torture, language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Canada

Language:

English

Release Date:

21 August 2009 (USA) See more »

Also Known As:

Man on the Run See more »

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Box Office

Budget:

GBP6,000,000 (estimated)

Cumulative Worldwide Gross:

$812,665
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Goofs

In an early scene in the film, Martin looks over at Ray who is standing amongst a group of children. Some of the children, obviously extras from the area, are wearing anachronistic clothing such as polyester track pants. See more »

Quotes

[first lines]
Fergus: His name is Martin McGartland, and when I met him he was an unemployed Catholic hood selling stolen goods.
See more »

Connections

References Sesame Street (1969) See more »

Soundtracks

Hit the Ground Running
Written by Campbell, Donnelly
Performed by Phoenix 23
Published by Copyright Control
Licensed courtesy of Phoenix 23
See more »

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User Reviews

Never really becomes the film it should have been
22 November 2009 | by bob the mooSee all my reviews

As with any film on Northern Ireland it is good to see the message board full of debate about who the "good guys" were in Northern Ireland, who was in the right, who was in the wrong etc etc with occasionally someone talking about the film. I'll leave all of that to those guys but, as one has to do with these films for some reason, I will lay out my colours for all to see. Although I moved away around age 20, I was born in Belfast and grew up as a Protestant in North Antrim. I don't think I brought any of that to this film but for some that will be enough to explain why I didn't like this film.

Actually, it will probably be enough for viewers from both side of that political spectrum because the film manages to be such a thing that it is possible to side with both the IRA and the police/army. To a certain point this is a good thing because it asks you to sympathise/dislike both groups, which is true I guess because in the conflict nobody is 100% right or wrong – both sides have fundamental points but yet have done so much wrong as to make them a distant memory. However, this is only "to a point" because it doesn't strike me as a deliberate thing so much as it is a side-effect of the film not really getting to the heart of the matter or the characters. The Northern Ireland of the film is secondary to the central "Donnie Brasco-esquire" story, which again is not a problem in and of itself, just that you're not used to that with Northern Irish films, but it does cause a problem because by not doing a good job of laying out a convincing base, the film does feel a little superficial.

This is made more evident by the way it is directed but also the way that accuracy is often set aside in favour of having set pieces and action. Such sequences don't really work and stand out awkwardly as being out of place and not belonging in a film set in this time and place – it is not as bad as The Devil's Own in this regard but you get my point. All this aside though, the film should work in the same way Donnie Brasco did because I didn't come to that film moaning about the lack of convincing mob detail etc etc but rather really enjoyed it as a film. Sadly the things that this film should be taking from Donnie Brasco and repeating are lacking. This problem comes from the material because it doesn't engage as it should and the characters, beyond Lara, don't do that much. To be precise what I felt was missing was key relationships for Martin. His relationship with his handler isn't that good in their shared scenes, while he lacks a "Lefty" in the IRA. This takes away the majority of the opportunities for scenes in which the strain comes through and we get to see conflicting sides of Martin, like we did in Donnie Brasco, and this is a shame because it does mean the film loses a lot.

It is still a solid watch though, so don't take my negativity as a sign that it was awful – just that it seemed to miss a lot of what it could and should have been doing. It is all helped a lot though by Sturgess in the lead. Now part of me wonders why more actual Northern Irish actors couldn't have been used at that level but Sturgess does do a good job and clearly could have done more with better and more complex material. Funnily enough Kingsley is part of the problem. He is far too stiff and too clearly "acting" – he prevents much in the way of chemistry and does nothing to tell us how he was able to reach Martin. The supporting cast do their turns reasonably well but only Press really stands out as she brings a bit of emotion and discussion to the film.

Overall Fifty Dead Men Walking is more about what it is not rather than what it is. As a film set in the troubles, it doesn't do a particularly good job depicting them. As a thriller it doesn't manage to be engaging enough to thrill. As a Donnie Brasco type story set in Northern Ireland (which is what it is) it doesn't do the things that made that film successful. It is still OK in most regards but it never really becomes the film it should have been.


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