A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermath of the super typhoon. For the past seven years, ...
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The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and ... See full summary »
A Filipino teenager is shot to death on the sidewalk of New Jersey, USA. An investigation starts into his death. His family members and friends are interviewed. Along the way, we find out ... See full summary »
A priest estranged from the holy vows, marries Clara and starts raising a family. After several incidents, he becomes wracked with melancholia and wanders aimlessly, unable to come to terms with his personal truths.
An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.
A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermath of the super typhoon. For the past seven years, Benjamin had been living in an old town called Kaluga in Russia. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process. In Russia, Benjamin was able to shoot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back to bury his dead-father, mother, sister and a lover. He came back to face Mount Mayon, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the Philippines. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers.Written by
The film was rated X by Philippines' Movie and Television Review and Classification Board (MTRCB) on the grounds of "breast and genitalia exposure." The board's report said members who reviewed the film were Amalia Fuentes, Ros Olgado and Fr. Nick Cruz. See more »
Lav Diaz follows after his enormous (in all senses) "Heremias" with this even more complex and longer "Dead in the land of encantos". The first ten minutes contains all the keys to the whole piece. It's the devastation of a place that everyone says it was very beautiful but not especially for its real charms but because it was their land and it was pure and wild. On the contrary, the beauty still alive: the bodies of young women, the poetry, the light, the sound of the rain drops hitting the palm trees and also the mud and the destroyed houses after the catastrophe. Diaz takes his time to think about how can they face the disaster and in the meantime brings an elegiac ode to the unstoppable river of life.
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