Struggling with her debilitating obsession with shopping and the sudden collapse of her income source, Rebecca Bloomwood (Isla Fisher) unintentionally lands a job writing for a financial magazine after a drunken letter-mailing mix-up. Ironically writing about the consumer caution of which she has not abided, Rebecca's innovative comparisons and unconventional metaphors for economics grants her critical acclaim, public success, and the admiration of her supportive boss Luke Brandon (Hugh Dancy). But as she draws closer to her ultimate goal of writing for renowned fashion magazine Alette, she questions her true ambitions and must determine if overcoming her "shopaholic" condition will bring her real happiness.Written by
The Massie Twins
In the last scene, when Rebecca is walking past the mannequins and talking to Luke, every shot of Luke shows a woman in the background, starting in the same spot behind him, walking toward the camera. See more »
Emotions In Motion
Written and Performed by Ric Ocasek
Courtesy of Geffen Records
Under license from Universal Music Enterprises See more »
Should make Melanie Griffith proud.
Being a non-shopper, I can hardly call myself expert on the parsing of a shopaholic in Confessions of a Shopaholic. But this I can say: Rebecca Bloomwood (Isla Fisher) is an addict of major proportions, unable to let go of the exhilaration that shopping brings, a feeling that the world is better for her purchases.
The film is a cliché from the get go, as corny as could possibly be about 25 year old writer Rebecca with the shopping affliction who eventually meets her dream man through a series of subterfuges that would make Melanie Griffith's Tess in Working Girl proud. What saves the film from my scourge, which did not spare the recent Pink Panther 2, is Isla Fisher, who plays dangerous innocence with sincerity and fresh-facedness that makes even Anne Hathaway's Devil Wears Prada role seem downright Machiavellian.
Confessions has this going for it: Although it is not a Judd Apatow comedy with some layers of sophisticated social comedy, it has moments of laughter and social conscience. Coming as it does amidst the worst recession in decades, in which shopping would be a welcome antidote to the fear of spending that exacerbates the recession, Confessions almost makes a case for credit spending; then again maybe such encouragement is not a good thing for shopaholics.
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