Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
The story of the first major battle of the American phase of the Vietnam War, and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
Marcus Luttrell, a Navy Seal, and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. After running into mountain herders and capturing them, they were left with no choice but to follow their rules of engagement or be imprisoned. Now Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.Written by
Emile Hirsch underwent considerable body-building before he was cast in the role of Dietz, as Peter Berg expressed skepticism that Hirsch could be physically convincing. See more »
Marcus Luttrell's Navy Seal team were armed with the SIG-Sauer P226 Navy and the Heckler and Koch HK45C, not the Beretta as shown in the movie. The correct gun can be seen in the who's who pictures in the credits. See more »
[pulling exhausted trainee from the water]
Six times three?
Hurry up, Hurry up, Hurry up... Hurry up.
See more »
Lone Survivor- A Brutally Authentic and Nonpartisan Portrayal of the War Time Experience Told Through Peter Berg's Respectful Direction and Honest Screenplay
An undeniable aspect of war, whether or not you make rationalizations on its regrettable purpose or demonize its existence entirely, is that it's an utter hell that tries the mentality and physicality of the courageous men and women who fight in the conflict. Most war films have captured the hellish and nonsensical brutality of war through challenging cinematic portraits, either through the allegorical heart of darkness showcased in Francis Ford Coppola's Apocalypse Now, the apathetic political influences in Stanley Kubrick's Paths of Glory, and even in cinema's first triumphant reflections with the adaptation of All Quiet on the Western Front. But while all wars impact people there aren't enough films that showcase true examples of wartime heroism which neglects a chance to embrace the humanity in the soldiers who are put into these tumultuous and life threatening circumstances. This is where Peter Berg's ominously titled latest film Lone Survivor differs from the a vast majority of the war film experience because rather than postulating on the reasons or criticisms for war it only seeks to depict the strong links of brotherhood involved in our armed forces ranks through an effective nonpartisan slant. Returning to his attention to detail roots showcased in The Kingdom and leaving behind an unfortunate deviation into the ridiculous with Battleship, Berg has concocted a relatively solid film in Lone Survivor that follows the real life events that happened in 2005 to Navy SEAL Mark Luttrell and his team in the Afghanistan Mountains when a secret operation is compromised. Though the film could have had deeper character development and interaction in the first quarter of the film, an aspect that slightly detriments the overall impact of the picture, its solid and intimate middle core of brutally authentic wartime conflict captured in real time is a technically astounding, emotionally engaging, and definite pulse pounding experience. To the film's creative credit in staying true to the events that transpired it demonstrates that the relentless pummeling of war doesn't always come with the Hollywood convention that is graceful relief giving the film a true experience of modern warfare. Lone Survivor might have its storytelling flaws, mainly due to a conventional structure and some fairly assumed character involvement, but when it erupts into the focused intimacy of soldier bonding amidst the chaotic brutality of battle in the middle of the film it becomes a relatively involving homage to the relentless dedication of spirit within our soldiers.
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