Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
Still Walking is a family drama about grown children visiting their elderly parents, which unfolds over one summer day. The aging parents have lived in the family home for decades. Their son and daughter return for a rare family reunion, bringing their own families with them. They have gathered to commemorate the tragic death of the eldest son, who drowned in an accident fifteen years ago. Although the roomy house is as comforting and unchanging as the mother's homemade feast, everyone in the family has subtly changed.Written by
The Film Catalogue
Still Walking is an intimate movie about a family reunion. Its observations about family dynamics are the most true to life I have ever seen. The movie paints the entire gamut of emotional family experience with delicate yet powerful brush strokes but it's not a sentimental film, nor an opportunity for actors to grandstand. It's Japanese, so all the strong undercurrents of emotion are held in check by equally powerful restraint (both cultural and directorial). A brother and a sister attempting families of their own go to visit their parents in Yokohama. The parents have lost a son and the family's devastation hangs heavy in the air. You can actually feel it bearing down on your shoulders from the first frame. Anybody who has ever spent the night at the house of relatives will feel the weight of family history that this film captures so truthfully.
The parents are engulfed by their quiet, ongoing grief and the surviving children resent all the attention given to the one who is not there anymore. The movie is surprisingly mordant, touching, cruel, sad, funny: human. The mother is this wonderful woman who cooks up a storm (I so wanted to be invited to that house). She is from an older generation, which means she has been forever in the shadow of her husband the doctor, cooking and cleaning and feeding the children, but she is not a pushover, nor a saint. She is mischievous, catty and petty, prejudiced, funny, generous and cruel at the same time. She is a marvel, and the actress who plays her is astonishing.
This movie has many emotional surprises that make the audience gasp, but they are presented with a sure, light touch, never falling into easy sentiment, never shying away from human complexity. It's a film about family, and love and duty and regret and it is stunningly beautiful.
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