First Mission is a real life drama about the lives and work of a team of doctors on their remote outpost of International Frontline Doctors in South America. The team consists out of young ... See full summary »
Boris Paval Conen
Martijn is obsessed with his younger sister Daantje and visits her to make a documentary about her. He manages to invade Daantje's life with his video camera, but soon unresolved issues from a distant past come to the surface.
Goof and Hugo are flatmates in Amsterdam who have made a tidy sum from having sex with tourists, then robbing them. Their goal is to spend the money together on a world trip and their scam ... See full summary »
Robert Jan Westdijk
Karen (32) and Michel (36) move with their daughter to an exclusive residential area. She soon finds a new close circle of friends: the women of the Dinner Club, and their husbands. But ... See full summary »
Robert Jan Westdijk
Bracha van Doesburgh,
Bookkeeper Jacob newest client is the talented and flamboyant actress Anne. They first meet each other on her houseboat, the morning after the premiere of Anne's new theatrical play. Jacob ... See full summary »
Paula van der Oest
Ali Ben Horsting
Director Westdijk is probably the most talented filmmaker in the Netherlands. However, since his very good debut 'zusje'(over ten years ago) he hasn't really delivered anything worthwhile. 'Siberia' was an OK follow-up, visually, but the story was somewhat disappointing. The same goes for 'Phileine zegt sorry'.
Now with his latest picture, Westdijk is supposed to deliver some kind of magnum opus. He has worked on the film for over 11 years, mainly perfecting the script.
'Het echte leven' is a film in a film. Character developments of crew-members slowly start to merge with those of the characters in the film they are making. This type of storytelling is like tight-rope walking, but Westdijk pulls it off.
The leading lady, Sallie Harmsen is incredible. As with 'zusje'(which featured the debut of Kim van Kooten) Westdijk proves he has a talent for scouting talent. And, of course, a talent for directing actors. Ramsey Nasr is also very good in his role as the director/leading actor.
It is he who stimulates the merging of real-life and fictitious character-development, but it affects himself as well.
The story develops smoothly and the movie is overall very enjoyable, visually near perfect. But I have to say that it doesn't leave a very big impression. We're supposed to be affected (I guess) by the emotional distress the leading actors end up in. But that just doesn't happen. Pity.
Still, it's a pretty good movie, the kind you will want to watch more than once. I will kindly leave the option open that it may grow on you when you will.
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