5.7/10
20,982
79 user 149 critic
Trailer
6:43 | Trailer
A pair of brothers stumble upon a mysterious hole in their basement that leads to the darkest corridors of their fears and nightmares.

Director:

Joe Dante

Writer:

Mark L. Smith
1 win. See more awards »

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Cast

Cast overview, first billed only:
Chris Massoglia ... Dane
Haley Bennett ... Julie
Nathan Gamble ... Lucas
Teri Polo ... Susan
Bruce Dern ... Creepy Carl
Quinn Lord ... Annie Smith
John DeSantis ... Monster Dad (as John Desantis)
Douglas Chapman ... Normal Dad (as Doug Chapman)
Mark Pawson Mark Pawson ... Travis
Peter Shinkoda ... Young Cop
Jonathan Bruce Jonathan Bruce ... Mover
Merritt Patterson ... Jessica (as Merrit Patterson)
Ali Cobrin ... Tiffany
Chelsea Ricketts ... Whitney
Chord Overstreet ... Adam
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Storyline

Susan and her sons Dane and Lucas Thompson move from Brooklyn to Bensonville, in the countryside. Dane is upset with the constant changes of address and the family has lived in many cities. Lucas and Dane befriend their next door neighbor, the gorgeous Julie and the brothers find a bottomless hole in the basement of their house locked with several padlocks. They take the locks off and soon they are haunted by their darkest fears. Further, they believe that the hole might be a gateway to hell. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

It knows your deepest fears. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for frightening images, violence and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Netherlands]

Country:

USA

Language:

English

Release Date:

11 June 2010 (Italy) See more »

Also Known As:

The Hole 3D See more »

Filming Locations:

Kittanning, Pennsylvania, USA See more »

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Box Office

Budget:

$12,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Joe Dante's first film in seven years. See more »

Goofs

When Lucas is sitting and watching the TV and either changing channel or altering the volume, the beam from the remote is visible. This only happens when the beam is activated whilst user is looking at it through a camera/camcorder/mobile phone. See more »

Quotes

Julie: I know what you've got. You've got a gateway to hell under your house. And that is really cool.
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Crazy Credits

Still images of the cast appear on the end credits. The depths of the hole provide the backdrop for the end credits. See more »

Connections

References South Park (1997) See more »

Soundtracks

Get Get Get
Written by Chris Oakes, Jason Plahutnik, Robert Carey, Mike Marchinkowski
Published by Jesus Devil (ASCAP)
Courtesy of Chris Oakes
See more »

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User Reviews

 
Not for kids!
7 October 2010 | by jez-47See all my reviews

The great thing about Dante's latest feature (his first in 7 years) is that it's so disarming. The look, feel and tone all tells you this a family-friendly kids flick, in the same vane as The Goonies and Explorers. In fact, I first heard this movie pitched as a gentle introduction to horror for tweens. This film, however, is definitely not suitable for a 12 year old.

Dante is renowned for having his tongue lodged firmly in his cheek, his movies very much anarchic in tone and content (Gremlins being a perfect example). The Hole is much more tempered than this, and the first two thirds are a genuine masterclass in ratcheting up fear and tension. Sure, there are plenty of jump shocks, but Dante cleverly places his camera close to the characters, leaving most of the background hidden so you never see what's coming.

The lead characters are all very good, and the initial scenes with Dane and the girl-next-door feel realistically stilted (as you would if you were a teenager and you just met the cute babe next door). Dante doesn't hang about, and quickly gets to the hole. This in turn immediately opens up all manner of scares, with some dark and genuinely frightening scenes, extremely well executed.

Dante borrows heavily from the likes of The Grudge, Poltergeist and The Sixth Sense, as well as affectionate nods to his own films (Gremlins, Small Soldiers and even It's A Good Life, a segment he directed for Twilight Zone The Movie). However, none of it feels ripped-off. It has its own inimitable style and is expertly put together, complementing the story.

For me, the final act was a little wacky but the overall movie is a satisfying experience. Considering its influences and the fact that Dante has been in the game for over 30 years, this is a surprisingly fresh addition to the genre.


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