Directed by
Oskar Roehler |
Writing Credits
Klaus Richter | ... | (screenplay) |
Klaus Richter | ... | (story) |
Oskar Roehler | ... | (story) |
Cast (in credits order) complete, awaiting verification
Produced by
Cornelia Ackers | ... | commissioning editor: BR |
Stefan Arndt | ... | producer |
Alexander Bickel | ... | commissioning editor |
Barbara Buhl | ... | commissioning editor: WDR |
Carlos Gerstenhauer | ... | commissioning editor: BR |
Andreas Habermaier | ... | line producer |
Andrea Hanke | ... | commissioning editor: WDR |
Laura Roll | ... | associate producer |
Uwe Schott | ... | producer |
Andreas Schreitmüller | ... | commissioning editor: Arte |
Markus Zimmer | ... | producer |
Music by
Martin Todsharow |
Cinematography by
Carl-Friedrich Koschnick |
Editing by
Hansjörg Weißbrich | ... | (as Hansjörg Weissbrich) |
Casting By
Uwe Bünker |
Production Design by
Oskar Roehler |
Art Direction by
Markus Schütz |
Costume Design by
Peri de Bragança |
Makeup Department
Ulla Röling | ... | makeup department head (as Ursula Röling) |
Schwerthelm Ziehfreund | ... | special makeup effects artist |
Production Management
Manni Gläser | ... | post-production manager |
Mario Striehn | ... | set manager |
Gernot Valendzik | ... | production manager |
Second Unit Director or Assistant Director
Phoebe-Sophia Jardine | ... | third assistant director |
Andrea Picht | ... | first assistant director |
Art Department
Jan Feil | ... | standby props |
Thomas Ferrandis | ... | carpenter |
Andreas J. Klein | ... | set builder |
Anja Schönberg | ... | assistant production designer |
Katrin Skora | ... | assistant property master |
Stephan van Geldern | ... | greens person |
Dagmar Wiggenhauser | ... | property master |
Sound Department
Wolfgang Liebig | ... | audio description re recording mixer |
Hubertus Rath | ... | re-recording mixer |
Fabian Schmidt | ... | sound editor |
Kai Tebbel | ... | sound designer |
Moritz Unger | ... | adr recordist |
Andreas Wölki | ... | production sound mixer |
Visual Effects by
Felix Batzer | ... | digital compositor |
Martin Becker | ... | colorist |
Marco Haupt | ... | compositor |
Tobias Kreißl | ... | visual effects supervisor |
Tobias Schreeck | ... | digital compositor: D-Facto-Motion |
Stunts
Christian Petersson | ... | stunts |
Camera and Electrical Department
Felix Boegel | ... | assistant electrician |
Philipp Dönch | ... | first assistant camera |
Emil Jevtic | ... | gaffer |
Ansgar Krajewski | ... | camera operator |
Bernd Kremer | ... | electrician |
Fabian Laschefski | ... | grip assistant |
Andreas Latosinszky | ... | best boy / gaffer |
Stefan Sollich | ... | key grip |
Ruben Thöndel | ... | a-camera |
Costume and Wardrobe Department
Angelina Curilova | ... | wardrobe |
Daniele Gossens-Dommel | ... | costume supervisor |
Anne Jacobi | ... | assistant costume designer |
Lana Kunz | ... | costume design trainee |
Teresa Spang | ... | seamstress |
Rachel Vogelheim | ... | wardrobe |
Julia Weyer | ... | wardrobe |
Editorial Department
Martin Becker | ... | colorist |
Beatrice Buch | ... | assistant editor |
Christian Maire | ... | assistant editor |
Music Department
Martin Todsharow | ... | music supervisor |
Script and Continuity Department
Dana Thiel | ... | script supervisor |
Additional Crew
Bastie Griese | ... | studio facilities (as Bastian Griese) |
Hanna Görgen | ... | production accountant |
Georg Höss | ... | Head of Legal & Business Affairs |
Michael Kleinfeld | ... | additional assistant director |
Clint Morris | ... | publicist |
Laura Roll | ... | assistant to the producer |
Carolin Springborn | ... | project manager MMC Studios |
Anja Uhland | ... | production coordinator |
Wolfgang W. Werner | ... | press relations |
Thanks
Harry Baer | ... | thanks |
Christina Bentlage | ... | thanks |
Petra Müller | ... | thanks |