6.1/10
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14 user 10 critic

Chicago Overcoat (2009)

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1:50 | Trailer
The fates of an aging hitman and a washed up detective become entwined when one last job leads to one last chance to settle an old score.

Director:

Brian Caunter

Writers:

John Bosher (screenplay), John Bosher (story) | 4 more credits »
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2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Frank Vincent ... Lou Marazano
Kathrine Narducci ... Lorraine Lionello
Mike Starr ... Lorenzo Galante
Stacy Keach ... Ray Berkowski
Armand Assante ... Stefano D'Agnostino
Danny Goldring ... Ralph Maloney
Tim Gamble Tim Gamble ... Harry Greene
Martin Shannon Martin Shannon ... Sammy Delano
Barret Walz ... Elliot Walsh
Gina D'Ercoli Gina D'Ercoli ... Angela Casso
Robert Gerdisch ... Michael Casso
Rick Plastina Rick Plastina ... Angelo Perelli
Mark Vallarta ... Joey Casso
Jack Bronis ... Joe Barbone
Michael Guido Michael Guido ... Frank Salerno
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Storyline

The Chicago Outfit was the most powerful organized crime syndicate of the 20th century, and Lou Marazano (Frank Vincent) was their deadliest hit man. Twenty years after his most notorious wave of hits Lou is a relic, his legend obscured, his talents forgotten, and his glory days over. When a high-profile union representative is arrested for tax fraud, the Outfit's top boss (Armand Assante) orders a string of key witnesses silenced before the government can uncover a vast conspiracy involving police officers, city officials, and mob affiliates. Lou sees the job as an opportunity to finance his retirement and leave Chicago with his girlfriend (Kathrine Narducci). But when relentless detectives (Danny Goldring & Stacy Keach) begin nipping at his heels, and the acting street boss (Mike Starr) decides to revoke Lou's membership to the Outfit, Lou must prove he is worthy of being the Outfit's most deadly hit man - a title he held more than twenty years ago. Written by Beverly Ridge Pictures

Plot Summary | Add Synopsis

Taglines:

The glory days are back


Motion Picture Rating (MPAA)

Rated R for bloody violence, pervasive language, some sexuality/nudity and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 October 2009 (USA) See more »

Also Known As:

Chicago - Der letzte Profi See more »

Filming Locations:

Chicago, Illinois, USA See more »

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Box Office

Budget:

$3,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The Detective partners names are Elliot and Maloney. Just like Elliot Ness and Maloney in the Untouchables. Which also took place in Chicago. See more »

Quotes

Lou Marazano: Fuck that, I'm goin' to Vegas.
See more »

Soundtracks

Been Gone Too Long
Written by Billy Boy Arnold (as William Arnold)
Performed by Billy Boy Arnold
Courtesy of Alligator Records
See more »

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User Reviews

 
The Ultimate Movie Review! - http://tss5078.blogspot.com - @tss5078
10 May 2015 | by Tss5078See all my reviews

Many actors known for their work in Mafia films become tight-cast as gangsters, meaning that audiences are so familiar with them as a gangster, that they can't see them as anything else. That's fine when they're younger, but once these guys are in their 70s, it becomes a lot harder to find work. Some turn to comedy, while other try, unconvincingly, to remain gangsters, this is one of those stories. Lou Marazano (Frank Vincent) is one of the last OG's in his Chicago crew. While he still sees himself as a gangster, the next generation sees him as a dinosaur. One night Marazano becomes aware of how the others see him, and decides to take on one last big job in order to prove himself. Frank Vincent was terrific in the Sopranos, because he was an old school boss. In this film, he's an old school hit-man, running around town, trying to intimidate people with a Tommy-Gun. The whole thing, wasn't believable or funny, it was just sad, watching this old man running around like it's still 1940. The rest of the cast was no prize either, made up of guys who had three lines in a Sopranos episode 15 years ago. Chicago Overcoat proves that it takes a lot more than just gun fire and some f-bombs to make a decent film about the Mafia. There is no honor in this final act of violence and there isn't even a compelling reason for it. The whole theme of this film is an old man trying to prove something that he no longer has. I feel badly that a legend like Frank Vincent is forced to take on roles like this and I just found the whole thing to be sad and in poor taste.


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